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In this Issue

Table of Contents

  1. In the Penumbra of the Antillean Hallucination
  2. G. A. E. Griffin
  3. pp. 1-20
  4. restricted access
  1. Sympathetic Graffiti in Haiti: Jerry’s Murals as a Scene of Pedagogical Curiosity
  2. Chelsey L. Kivland
  3. pp. 22-43
  4. restricted access
  1. Becoming Indigenous in Haiti, from Dessalines to La Revue Indigène
  2. Amanda T. Perry
  3. pp. 45-61
  4. restricted access
  1. After Indenture
  2. Andil Gosine
  3. pp. 63-67
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  1. The Point of No Return: Wendy Nanan as Postindenture Indian Female Visionary Artist
  2. Patricia Mohammed
  3. pp. 68-80
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  1. Picturing an Afterlife of Indenture
  2. Nalini Mohabir
  3. pp. 81-93
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  1. When the Moon Waxes Red: Afro-Asian Feminist Intimacies and the Aesthetics of Indenture
  2. Jordache A. Ellapen
  3. pp. 94-111
  4. restricted access
  1. Communal Style: Indo-Caribbean Women’s Jewelry
  2. Joy Mahabir
  3. pp. 112-122
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  1. Kitchen Table Talk: Richard Fung and Ian Harnarine in Conversation
  2. Andil Gosine
  3. pp. 123-134
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  1. After Indenture: Three Photo Stories
  3. p. 135
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  1. Face Up: Life and transgressive acts on screen
  2. Roshini Kempadoo
  3. pp. 136-141
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  1. When the moon waxes red
  2. Sharlene Khan
  3. pp. 142-145
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  1. Notes from a work-in-progress
  2. Wendy Nanan
  3. pp. 146-150
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  1. Salvage: First Place, Poetry
  2. Soyini Ayanna Forde
  3. pp. 151-161
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  1. Miscellaneous: Second Place, Poetry
  2. Chenee Daley
  3. pp. 162-169
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  1. Mango Feast: First Place, Short Fiction
  2. Portia Subran
  3. pp. 170-176
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  1. Public Notice: Second Place, Short Fiction
  2. Ayanna Gillian Lloyd
  3. pp. 177-183
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  1. The Politics of Disjuncture, or Freedom from a Caribbean Point of View
  2. Greg Beckett
  3. pp. 184-192
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  1. The Work of Disappointment
  2. Christienna D. Fryar
  3. pp. 193-200
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  1. Freedom, Sovereignty, and Other Entanglements
  2. Yarimar Bonilla
  3. pp. 201-208
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  1. A Scarcely Spoken Past
  2. David Scott
  3. pp. vii-x
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  1. Contributors
  3. pp. 209-211
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