1. Replaying and Rediscovering The Octoroon
  2. Lisa Merrill, Theresa Saxon
  3. pp. 127-152
  4. DOI: 10.1353/tj.2017.0021
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  1. The Controversial "Case of the Opera Children in the East": Political Conflict between Popular Demand for Child Actors and Modernizing Cultural Policy on the Child
  2. Gillian Arrighi
  3. pp. 153-173
  4. DOI: 10.1353/tj.2017.0022
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  1. Performing a Viking History of America: The 1893 Voyage and Display of a Viking Longship at the Columbus Quadricentennial
  2. Axel Andersson, Scott Magelssen
  3. pp. 175-195
  4. DOI: 10.1353/tj.2017.0023
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  1. Making Reality Sensible: The Mexican Documentary Theatre Tradition, 1968-2013
  2. Julie Ann Ward
  3. pp. 197-211
  4. DOI: 10.1353/tj.2017.0024
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  1. Dispublics: Popular Yet Political Spectatorship in Margaret Atwood's The Penelopiad and Erin Shields's If We Were Birds
  2. Kailin Wright
  3. pp. 213-234
  4. DOI: 10.1353/tj.2017.0025
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  1. A Home Unfound: The Political Modeling of the Domestic Performance
  2. Daphna Ben-Shaul
  3. pp. 235-257
  4. DOI: 10.1353/tj.2017.0026
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  1. A Midsummer Night's Dream by William Shakespeare (review)
  2. Ray Schultz
  3. pp. 259-262
  4. DOI: 10.1353/tj.2017.0027
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  1. Julius Caesar. Spared Parts. Dramatic Intervention on W. Shakespeare by Socìetas Raffaello Sanzio, and: Macbeth dir. by Brett Bailey (review)
  2. Drew Lichtenberg
  3. pp. 262-266
  4. DOI: 10.1353/tj.2017.0028
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  1. Backstage in Biscuit Land by Touretteshero (review)
  2. Lindsay Brandon Hunter
  3. pp. 267-268
  4. DOI: 10.1353/tj.2017.0029
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  1. The Encounter by Petru Popescu (review)
  2. Joseph A. Heissan Jr.
  3. pp. 268-270
  4. DOI: 10.1353/tj.2017.0030
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  1. La Mélancholie Des Dragons by Phillipe Quesne, and: Gardens Speak by Tania El Khoury, and: Top Secret International (State 1) by Rimini Protokoll (review)
  2. Matthew Robert Moore
  3. pp. 271-274
  4. DOI: 10.1353/tj.2017.0031
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  1. The Dig: Death + Genesis + The Double Helix by Stacie Chaiken (review)
  2. David Gorshein
  3. pp. 274-276
  4. DOI: 10.1353/tj.2017.0032
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  1. The Truth by Florian Zeller (review)
  2. Thomas Provenzano
  3. pp. 276-277
  4. DOI: 10.1353/tj.2017.0033
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  1. Shakespeare, Court Dramatist by Richard Dutton (review)
  2. Emma Smith
  3. pp. 279-280
  4. DOI: 10.1353/tj.2017.0034
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  1. Vanguard Performance Beyond Left and Right ed. by Kimberly Jannarone (review)
  2. Michael Shane Boyle
  3. pp. 280-281
  4. DOI: 10.1353/tj.2017.0035
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  1. Shattering Hamlet's Mirror: Theatre And Reality by Marvin Carlson (review)
  2. Ryan Claycomb
  3. pp. 281-282
  4. DOI: 10.1353/tj.2017.0036
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  1. After Live: Possibility, Potentiality, and the Future of Performance by Daniel Sack (review)
  2. Matthew Reason
  3. pp. 282-283
  4. DOI: 10.1353/tj.2017.0037
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  1. Routledge Handbook of Asian Theatre ed. by Siyuan Liu (review)
  2. Claudia Orenstein
  3. pp. 284-285
  4. DOI: 10.1353/tj.2017.0038
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  1. Performing Whitely in the Postcolony: Afrikaners in South African Theatrical and Public Life by Megan Lewis (review)
  2. Gibson Alessandro Cima
  3. pp. 285-286
  4. DOI: 10.1353/tj.2017.0039
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  1. The Irish Stage: A Legal History by W. N. Osborough (review)
  2. Deirdre Oleary
  3. pp. 287-288
  4. DOI: 10.1353/tj.2017.0040
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  1. Doctoral Projects in Progress in Theatre Arts, 2017
  2. Andrew Gibb, James Beekman Bush, Troy Matthew Lescher
  3. pp. 293-297
  4. DOI: 10.1353/tj.2017.0041
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  1. Editorial Comment
  2. Joanne Tompkins
  3. pp. vii-x
  4. DOI: 10.1353/tj.2017.0020
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