1. Testament of the Revolution (Walter Benjamin)
  2. Rebecca Comay
  3. pp. 1-12
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  1. Bodybuilding
  2. Rebecca Comay
  3. pp. 13-27
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  1. Jorie Graham's Passion for the Reel: The Lyric Subject Encounters the Image
  2. Sarah Ehlers
  3. pp. 29-46
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  1. Imitative Identity, Imitative Art, and AI: Artificial Intelligence
  2. Tony E. Jackson
  3. pp. 47-63
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  1. DHTML Dynamics: The Stir/Fry/Texts and the Networked Combinatorics of the Wreader
  2. Jamal Russell
  3. pp. 65-82
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  1. Comment y faire face: La parole faite chair de Virginie Despentes
  2. Tom Armbrecht
  3. pp. 83-98
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  1. Intimate Practices: Music, Sex, and the Body in J. M. Coetzee's Summertime
  2. Axel Englund
  3. pp. 99-115
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  1. Echoes of Celilo Falls and Native Voices in One Flew Over the Cuckoo's Nest
  2. Amy S. Fatzinger
  3. pp. 117-132
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  1. Surveillance and Counter-Surveillance in Philip K. Dick's A Scanner Darkly
  2. Jennifer Rhee
  3. pp. 133-147
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  1. Reading Race and "Rita" in The Lady from Shanghai: Decrypting the Mogul, the Star, and the Auteur
  2. Joshua D. Gonsalves
  3. pp. 149-169
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  1. "Qui est là?": Negative Personhood in Jean Rhys's Wide Sargasso Sea
  2. Alexandra Neel
  3. pp. 171-186
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  1. Mourning, Memorial, and the Yizkor Books in Eli Mandel's Out of Place
  2. Christian Riegel
  3. pp. 187-204
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  1. On Comic Modernism: Impersonality in Eliot and Keaton
  2. William Solomon
  3. pp. 205-222
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  1. Warwick Thornton's Mother Courage: A Battle Cry for Aboriginal Art
  2. Kerry Dunne
  3. pp. 223-240
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  1. On Transience, Transcendence, and Sublunar Metaphysics: Seamus Heaney's Spirit(ual) Level
  2. Juan Ráez-Padilla
  3. pp. 241-257
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  1. Langage, subjectivation et identité chez Seamus Heaney
  2. M. Reza Ghorbanian K.
  3. pp. 259-279
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  1. Introduction
  2. Dawne McCance
  3. pp. xiii-xiv
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