Palimpsest: A Journal on Women, Gender, and the Black International

In this Issue

View Formatted Version

Neo-S(k)in Trade: White Skin, Black Bodies in Bernardine Evaristo's Blonde Roots

Sika A. Dagbovie-Mullins

pp. 1-27

DOI: https://doi.org/10.1353/pal.2017.0001

View Neo-S(k)in Trade: White Skin, Black Bodies in Bernardine Evaristo's Blonde Roots
Download Neo-S(k)in Trade: White Skin, Black Bodies in Bernardine Evaristo's Blonde Roots
Save Neo-S(k)in Trade: White Skin, Black Bodies in Bernardine Evaristo's Blonde Roots

Breaking the Back of Words: Sound and Subversion in Toni Morrison's Beloved*

Jonquil Bailey

pp. 28-43

DOI: https://doi.org/10.1353/pal.2017.0002

"[B]lack and Going On Women": Lucille Clifton, Elizabeth Alexander, and the Poetry of Grief

Emily J. Lordi

pp. 44-68

DOI: https://doi.org/10.1353/pal.2017.0003

Grounds of Engagement: Apartheid-Era African American and South African Writing by Stéphane Robolin (review)

p. 69

DOI: https://doi.org/10.1353/pal.2017.0004

Are All the Women Still White?: Rethinking Race, Expanding Feminisms ed. by Janell Hobson (review)

p. 71

DOI: https://doi.org/10.1353/pal.2017.0005

Dispossessed Lives: Enslaved Women, Violence, and the Archive by Marisa Fuentes (review)

p. 73

DOI: https://doi.org/10.1353/pal.2017.0006

Mr. and Mrs. Doctor by Julie Iromuanya (review)

p. 75

DOI: https://doi.org/10.1353/pal.2017.0007

Freedom as Marronage by Neil Roberts (review)

p. 77

DOI: https://doi.org/10.1353/pal.2017.0008

Charleston Syllabus: Readings on Race, Racism, and Racial Violence eds. by Chad Williams, Kidada E. Williams, and Keisha N. Blain (review)

p. 79

DOI: https://doi.org/10.1353/pal.2017.0009

Dark Matters: On the Surveillance of Blackness by Simone Browne (review)

p. 81

DOI: https://doi.org/10.1353/pal.2017.0010

Words of Witness: Black Women's Autobiography in the Post-Brown Era by Angela Ann Ards (review)

p. 83

DOI: https://doi.org/10.1353/pal.2017.0011

History vs. Historical Memory: Rosie Douglas, Black Power on Campus, and the Canadian Color Conceit

Michael O. West

pp. 84-100

DOI: https://doi.org/10.1353/pal.2017.0012

Editors' Introduction

T. Denean Sharpley-Whiting, Tiffany Ruby Patterson-Myers

p. v

DOI: https://doi.org/10.1353/pal.2017.0000

Contributors

p. 101

DOI: https://doi.org/10.1353/pal.2017.0013

Previous Issue

Volume 5, Issue 2, 2016

Next Issue

Volume 6, Issue 2, 2017

Additional Information
ISSN	2165-1612
Print ISSN	2165-1604
Launched on MUSE	2017-06-28
Open Access	No

Copyright

Additional Issue Materials

Editorial Board

Palimpsest: A Journal on Women, Gender, and the Black International

In this Issue

Volume 6, Issue 1, 2017

published by

viewing issue

Table of Contents

Neo-S(k)in Trade: White Skin, Black Bodies in Bernardine Evaristo's Blonde Roots

Breaking the Back of Words: Sound and Subversion in Toni Morrison's Beloved*

"[B]lack and Going On Women": Lucille Clifton, Elizabeth Alexander, and the Poetry of Grief

Grounds of Engagement: Apartheid-Era African American and South African Writing by Stéphane Robolin (review)

Are All the Women Still White?: Rethinking Race, Expanding Feminisms ed. by Janell Hobson (review)

Dispossessed Lives: Enslaved Women, Violence, and the Archive by Marisa Fuentes (review)

Mr. and Mrs. Doctor by Julie Iromuanya (review)

Freedom as Marronage by Neil Roberts (review)

Charleston Syllabus: Readings on Race, Racism, and Racial Violence eds. by Chad Williams, Kidada E. Williams, and Keisha N. Blain (review)

Dark Matters: On the Surveillance of Blackness by Simone Browne (review)

Words of Witness: Black Women's Autobiography in the Post-Brown Era by Angela Ann Ards (review)

History vs. Historical Memory: Rosie Douglas, Black Power on Campus, and the Canadian Color Conceit

Editors' Introduction

Contributors

Previous Issue

Next Issue

Copyright

Additional Issue Materials

Project MUSE Mission