1. Nude Bodies: The Controversial Aesthetics of Exposure
  2. Chris Kent
  3. pp. 1-4
  4. DOI: 10.1353/vcr.2016.0030
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  1. The Working Body: Re-forming the Factory Body
  2. Jessica Kuskey
  3. pp. 4-9
  4. DOI: 10.1353/vcr.2016.0031
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  1. The Beautified Body: Physiognomy in Victorian Beauty Manuals
  2. Sarah Lennox
  3. pp. 9-14
  4. DOI: 10.1353/vcr.2016.0032
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  1. The Modified Body: The Nineteenth-Century Tattoo as Fugitive Stigmata
  2. Gemma Angel
  3. pp. 14-20
  4. DOI: 10.1353/vcr.2016.0033
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  1. Incarcerated Bodies: Interactions and Emotional Dynamics in an Early Victorian Prison
  2. Helen Rogers
  3. pp. 20-25
  4. DOI: 10.1353/vcr.2016.0034
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  1. The Exhibited Body: The Nineteenth-Century Human Zoo
  2. Warren Cariou
  3. pp. 25-29
  4. DOI: 10.1353/vcr.2016.0035
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  1. The Reading Body
  2. Ryan Stephenson
  3. pp. 29-33
  4. DOI: 10.1353/vcr.2016.0036
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  1. Supported Bodies: Prostheses, Disability, and Masculine Friendship in the Victorian Novel
  2. Karen Bourrier
  3. pp. 34-37
  4. DOI: 10.1353/vcr.2016.0037
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  1. Trained Bodies: From Gymnasts to "Jujutsu Suffragettes"
  2. Laura Rotunno
  3. pp. 37-43
  4. DOI: 10.1353/vcr.2016.0038
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  1. Dickensian Dimensions of Time
  2. Lindsey N. Chappell
  3. pp. 45-64
  4. DOI: 10.1353/vcr.2016.0039
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  1. "The Novelist of a New Era": Deepening the Sketch of Catherine Gore
  2. Molly Engelhardt
  3. pp. 65-84
  4. DOI: 10.1353/vcr.2016.0040
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  1. "I Mistook the Faint Shadow": The Tractarian Ethos in Felicia Skene's Sensational Realism
  2. Kristen Pond
  3. pp. 85-105
  4. DOI: 10.1353/vcr.2016.0041
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  1. Elizabeth Gaskell's Early Contributions to Household Words: The Use of Parable and the Transformation of Communities through "Kinder Understanding"
  2. Elizabeth Ludlow
  3. pp. 107-125
  4. DOI: 10.1353/vcr.2016.0042
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  1. A Lesson to "the Western Barbarian": Culture and Civility in British and American Debates on Japanese Decorative Art during the Meiji Period
  2. Jenny Holt
  3. pp. 127-148
  4. DOI: 10.1353/vcr.2016.0043
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  1. Staying Calm and Seizing the Iron: Contagion, Fermentation, and the Management of the Rabies Threat in Charlotte Brontë's Shirley
  2. Jo Waugh
  3. pp. 149-166
  4. DOI: 10.1353/vcr.2016.0044
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  1. The Victorian "Cameo Craze": Cameos, Femininity, and the Fashioning of Britain's Imperial Identity
  2. Lauren Miskin
  3. pp. 167-184
  4. DOI: 10.1353/vcr.2016.0045
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  1. Pets and Domesticity in Victorian Literature and Culture: Animality, Queer Relations, and the Victorian Family by Monica Flegel, and: At Home and Astray: The Domestic Dog in Victorian Britain by Philip Howell (review)
  2. Anna Feuerstein
  3. pp. 185-188
  4. DOI: 10.1353/vcr.2016.0046
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  1. The Victorian Novel, Service Work, and the Nineteenth-Century Economy by Joshua Gooch (review)
  2. Carolyn Lesjak
  3. pp. 188-191
  4. DOI: 10.1353/vcr.2016.0047
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  1. Fresh Strange Music: Elizabeth Barrett Browning's Language by Donald S. Hair (review)
  2. Clara Dawson
  3. pp. 191-193
  4. DOI: 10.1353/vcr.2016.0048
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  1. Convict Voices: Women, Class, and Writing about Prison in Nineteenth-Century England by Anne Schwan (review)
  2. Janice Schroeder
  3. pp. 193-195
  4. DOI: 10.1353/vcr.2016.0049
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  1. Reading for Health: Medical Narratives and the Nineteenth-Century Novel by Erika Wright (review)
  2. Kylee-Anne Hingston
  3. pp. 195-196
  4. DOI: 10.1353/vcr.2016.0050
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  1. The New Woman Gothic: Reconfigurations of Distress by Patricia Murphy (review)
  2. Victoria Margree
  3. pp. 197-198
  4. DOI: 10.1353/vcr.2016.0051
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  1. Editors' Note
  3. p. v
  4. DOI: 10.1353/vcr.2016.0029
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  1. Contributors
  3. pp. 199-202
  4. DOI: 10.1353/vcr.2016.0052
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