1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-3
  4. DOI: 10.1353/amu.2017.0015
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  1. Looking Back on 50 Years of Fieldwork in Afghanistan and Pakistan (Society for Asian Music 2016 Keynote Address)
  2. Hiromi Lorraine Sakata
  3. pp. 4-23
  4. DOI: 10.1353/amu.2017.0016
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  1. Improvisation, Creativity, and Agency in South Indian Temple Rāga Performance
  2. William Tallotte
  3. pp. 24-61
  4. DOI: 10.1353/amu.2017.0017
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  1. Talking about Mode in Malang, East Java
  2. Christina Sunardi
  3. pp. 62-89
  4. DOI: 10.1353/amu.2017.0018
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  1. "Vande Mataram!": Constructions of Gender and Music in Indian Nationalism
  2. André J. P. Elias
  3. pp. 90-110
  4. DOI: 10.1353/amu.2017.0019
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  1. Freedom, Margins, and Music: Performance as Development Discourse in Nepal
  2. Victoria Dalzell
  3. pp. 111-149
  4. DOI: 10.1353/amu.2017.0020
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  1. Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom (review)
  2. Aaron Paige
  3. pp. 150-154
  4. DOI: 10.1353/amu.2017.0021
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  1. Le chant des serpents: Musiciens itinérants du Kerala (Singing of the serpents: Itinerant musicians of Kerala) by Christine Guillebaud (review)
  2. Rolf Groesbeck
  3. pp. 154-158
  4. DOI: 10.1353/amu.2017.0022
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  1. Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance by Christina Sunardi (review)
  2. Russell P. Skelchy
  3. pp. 158-161
  4. DOI: 10.1353/amu.2017.0023
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  1. Yinsheng, yishi yu yiliao: Yinni zhaowa minsu liaoyu wenhua yu huodong by Ted Tsung-Te Tsai (review)
  2. Ming-yen Lee
  3. pp. 161-163
  4. DOI: 10.1353/amu.2017.0024
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  1. Bali 1928, Volumes 1–5 (review)
  2. Andy McGraw, Gusti Putu Sudarta
  3. pp. 164-178
  4. DOI: 10.1353/amu.2017.0025
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  1. About the Contributors
  3. pp. 179-181
  4. DOI: 10.1353/amu.2017.0026
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