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Shakespeare Bulletin is a peer-reviewed quarterly journal which publishes articles at the cutting edge of Shakespearean and early modern performance studies and theater history. Since its early days as the publication of the New York Shakespeare Society (from 1980) and its incorporation of the Shakespeare on Film Newsletter edited by Kenneth Rothwell and Bernice Kliman in 1992, Shakespeare Bulletin has grown into the leading journal of early modern performance studies.
It is a distinguishing feature of this journal that it welcomes scholarship on the full range of plays not only by Shakespeare but also by other early modern dramatists. The journal also publishes theater, film, and book reviews, providing a record of performance and scholarship in a variety of media throughout the world.
The journal is edited by an international team of scholars and has its offices at the Shakespeare & Performance program at Mary Baldwin University, USA.
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Johns Hopkins University Pressviewing issue
Volume 35, Number 2, Summer 2017Table of Contents
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View Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama
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Ontologies of Play: Reconstructing the Relationship between Audience and Act in Early English Drama
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View Place on the Late Medieval and Early Modern Stage: The Case of Ane Satyre of the Thrie Estaitis
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Place on the Late Medieval and Early Modern Stage: The Case of Ane Satyre of the Thrie Estaitis
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View "Explain this Dark Enigma": The Queen's Men and Performance-as-Research in Stratford-upon-Avon
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"Explain this Dark Enigma": The Queen's Men and Performance-as-Research in Stratford-upon-Avon
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View "A Theatre, A Giddy Receptacle?": Architecture and Audience Tectonics in the ASC's 2015 Actors' Renaissance Season
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"A Theatre, A Giddy Receptacle?": Architecture and Audience Tectonics in the ASC's 2015 Actors' Renaissance Season
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View Staging The Merchant of Venice in Spain (2015): Felicitous "Romancing" with Money and Willful Ambiguity?
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Staging The Merchant of Venice in Spain (2015): Felicitous "Romancing" with Money and Willful Ambiguity?
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View Cracking Shakespeare: A Hands-On Guide for Actors and Directors by Kelly Hunter ,and : Directing Shakespeare in America: Current Practices. by Charles Ney (review)
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Cracking Shakespeare: A Hands-On Guide for Actors and Directors by Kelly Hunter ,and : Directing Shakespeare in America: Current Practices. by Charles Ney (review)
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View OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation ed. by Daniel Fischlin (review)
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OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation ed. by Daniel Fischlin (review)
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| ISSN | 1931-1427 |
|---|---|
| Print ISSN | 0748-2558 |
| Launched on MUSE | 2017-06-15 |
| Open Access | No |
Copyright
Copyright © The Johns Hopkins University Press.
