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Table of Contents

  1. Holding Pattern
  2. Sharon P. Holland
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/slj.2016.0026
  5. restricted access
  1. Re-Imagining Slavery in the Hip-Hop Imagination
  2. Regina N. Bradley
  3. pp. 3-24
  4. DOI: https://doi.org/10.1353/slj.2016.0027
  5. restricted access
  1. Declining Misery: Rural Florida’s Hmong and Korean Farmers
  2. Joo Ok Kim
  3. pp. 25-37
  4. DOI: https://doi.org/10.1353/slj.2016.0028
  5. restricted access
  1. Taste as Emotion: The Synesthetic Body in Monique Truong’s Bitter in the Mouth
  2. Jennifer Brandt
  3. pp. 38-57
  4. DOI: https://doi.org/10.1353/slj.2016.0029
  5. restricted access
  1. “I’d sing you a song if I could sing”: Art and Artifice in Ellen Douglas’s Can’t Quit You, Baby
  2. Jaydn DeWald
  3. pp. 58-78
  4. DOI: https://doi.org/10.1353/slj.2016.0030
  5. restricted access
  1. Not Real Good at Modern Life: Appalachian Pentecostals in the Works of Lee Smith
  2. Andrew Connolly
  3. pp. 79-100
  4. DOI: https://doi.org/10.1353/slj.2016.0031
  5. restricted access
  1. Fantasy and Haiti’s Erasure in William Faulkner’s Absalom, Absalom!
  2. Wanda Raiford
  3. pp. 101-121
  4. DOI: https://doi.org/10.1353/slj.2016.0032
  5. restricted access

  1. Contributors
  2. pp. 142-143
  3. DOI: https://doi.org/10.1353/slj.2016.0034
  4. restricted access