1. Icons of Depression
  2. Alix Beeston
  3. pp. 1-36
  4. DOI: 10.1353/arq.2017.0007
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  1. Genre, History, Ecology: James Welch's Fools Crow and the Reagan Anti- Environmental Revolution
  2. Benjamin Mangrum
  3. pp. 37-59
  4. DOI: 10.1353/arq.2017.0008
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  1. “The central hollowness”: James Merrill and the Annihilation of the Self
  2. Johanna Hoorenman
  3. pp. 61-81
  4. DOI: 10.1353/arq.2017.0009
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  1. Poetic Language as a Sounding Mo'um (Body): Reading Cathy Park Hong's Poems as Deleuze's “Minor Literature”
  2. Tae Yun Lim
  3. pp. 83-101
  4. DOI: 10.1353/arq.2017.0010
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  1. Method Acting, Autonomy, and the Curious “as if” of the Postwar Subject in Nicholas Ray's Rebel Without a Cause
  2. Nathan D. Allison
  3. pp. 103-124
  4. DOI: 10.1353/arq.2017.0011
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  1. Contributors
  2. p. 125
  3. DOI: 10.1353/arq.2017.0012
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