1. Essays From The English Institute 2015: Figure
  2. Martin Harries, Seth Lerer, Martin Harries
  3. pp. 287-294
  4. DOI: 10.1353/elh.2017.0010
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  1. Compulsory Figures
  2. Arthur Bahr
  3. pp. 295-314
  4. DOI: 10.1353/elh.2017.0011
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  1. Figures In Excess And The Matter Of Inversion In The Discourse Of The Sublime
  2. Ian Balfour
  3. pp. 315-337
  4. DOI: 10.1353/elh.2017.0012
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  1. Literary Agnotology
  2. Anahid Nersessian
  3. pp. 339-360
  4. DOI: 10.1353/elh.2017.0013
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  1. Leap Year
  2. Jeff Dolven
  3. pp. 361-376
  4. DOI: 10.1353/elh.2017.0014
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  1. Figuring Blackness In A Place Without Race: Sweden, Recently
  2. Monica L. Miller
  3. pp. 377-397
  4. DOI: 10.1353/elh.2017.0015
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  1. Figure And Ground In Goethe's Wilhelm Meisters Lehrjahre
  2. Christopher S. Wood
  3. pp. 399-422
  4. DOI: 10.1353/elh.2017.0016
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  1. The Merchant Of Venice: Shylock And Covenantal Interplay
  2. Mary Jo Kietzman
  3. pp. 423-452
  4. DOI: 10.1353/elh.2017.0017
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  1. Mary Wollstonecraft's Cottage Economics: Property, Political Economy, And The European Future
  2. Catherine Packham
  3. pp. 453-474
  4. DOI: 10.1353/elh.2017.0018
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  1. George Eliot's Feuerbach: Senses, Sympathy, Omniscience, And Secularism
  2. Cristina Richieri Griffin
  3. pp. 475-502
  4. DOI: 10.1353/elh.2017.0019
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