1. Directing/Acting Beckett
  2. Barbara S. Becker, Charles R. Lyons
  3. pp. 289-304
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  1. Mactacio Desdemonae: Medieval Scenic Form in the Last Scene of Othello
  2. Cherrell Guilfoyle
  3. pp. 305-320
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  1. When Troy Fell: Shakespeare’s Iconography of Sorrow and Survival
  2. John Doebler
  3. pp. 321-331
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  1. The Wells Cordwainers Show: New Evidence Concerning Guild Entertainments in Somerset
  2. James Stokes
  3. pp. 332-346
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  1. “The Dark Disorders of a Divided State”: Otway and Shakespeare’s Romeo and Juliet
  2. Jessica Munns
  3. pp. 347-362
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  1. The Profession of Player in Shakespeare’s Time, 1590–1642 by Gerald Eades Bentley (review)
  2. Ejner J. Jensen
  3. pp. 363-365
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  1. From Creation to Doom: The York Cycle of Mystery Plays by Clifford Davidson (review)
  2. J. W. Robinson
  3. pp. 365-367
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  1. William Archer on Ibsen: The Major Essays, 1889–1919 ed. by Thomas Postlewait (review)
  2. Thomas F. Van Laan
  3. pp. 368-374
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  1. Elizabethan Stage Conventions and Modern Interpreters by Alan C. Dessen (review)
  2. W. L. Godshalk
  3. pp. 374-378
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  1. Shakespeare’s Art of Orchestration: Stage Technique and Audience Response by Jean E. Howard (review)
  2. James Coakley
  3. pp. 378-380
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  1. Disjecta. Miscellaneous Writings and a Dramatic Fragment by Samuel Beckett, and: Samuel Beckett by Charles R. Lyons (review)
  2. Marilyn Gaddis Rose
  3. pp. 380-381
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  1. Ben Jonson: To the First Folio by Richard Dutton (review)
  2. Clifford J. Ronan
  3. pp. 381-383
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  1. To Brecht and Beyond: Soundings in Modern Dramaturgy by Darko Suvin (review)
  2. John Rouse
  3. pp. 386-387
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  1. Verdi’s Macbeth: A Sourcebook ed. by David Rosen, Andrew Porter (review)
  2. Gary Schmidgall
  3. pp. 387-389
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  1. Heavenly Necromancers: The Magician in English Renaissance Drama by Barbara Howard Traister (review)
  2. Cecile Williamson Cary
  3. p. 390
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  1. Index to Volume 19 (1985)
  2. pp. 391-392
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