In this Issue

Table of Contents

Articles

Some Clerical Notions of Dramatic Decorum in Late Medieval England

Marianne G. Briscoe
pp. 1-13
DOI: https://doi.org/10.1353/cdr.1985.0013
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Trying to Like Shaffer

Michael Hinden
pp. 14-29
DOI: https://doi.org/10.1353/cdr.1985.0014
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The Actor in the Script: Affective Strategies in Shakespeare’s Antony and Cleopatra

William E. Gruber
pp. 30-48
DOI: https://doi.org/10.1353/cdr.1985.0015
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“To See Feelingly”: The Language of the Senses and the Language of the Heart

Judith Dundas
pp. 49-57
DOI: https://doi.org/10.1353/cdr.1985.0016
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Shaw’s Saint Joan and the Modern History Play

Stephen Watt
pp. 58-86
DOI: https://doi.org/10.1353/cdr.1985.0017
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Reviews

Opera: The Extravagant Art by Herbert Lindenberger (review)

Gary Schmidgall
pp. 87-89
DOI: https://doi.org/10.1353/cdr.1985.0018
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Shakespeare and the Emblem: Studies in Renaissance Iconography and Iconology ed. by Tibor Fabiny (review)

Roland Mushat Frye
pp. 89-90
DOI: https://doi.org/10.1353/cdr.1985.0019
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Chekhov: A Study of the Four Major Plays by Richard Peace (review)

E. J. Czerwinski
pp. 90-92
DOI: https://doi.org/10.1353/cdr.1985.0020
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Eugene O’Neill’s Critics: Voices From Abroad ed. by Horst Frenz, Susan Tuck (review)

John H. Stroupe
p. 92
DOI: https://doi.org/10.1353/cdr.1985.0021
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Serf Actor: The Life and Art of Mikhail Shchepkin by Laurence Senelick (review)

Spencer Golub
pp. 92-95
DOI: https://doi.org/10.1353/cdr.1985.0022
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Marlowe’s “Dr Faustus” and “Tamburlaine”: Theological and Theatrical Perspectives by Johannes H. Birringer (review)

Cecile Williamson Cary
pp. 95-96
DOI: https://doi.org/10.1353/cdr.1985.0023
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