1. Some Clerical Notions of Dramatic Decorum in Late Medieval England
  2. Marianne G. Briscoe
  3. pp. 1-13
  4. DOI: 10.1353/cdr.1985.0013
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  1. Trying to Like Shaffer
  2. Michael Hinden
  3. pp. 14-29
  4. DOI: 10.1353/cdr.1985.0014
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  1. The Actor in the Script: Affective Strategies in Shakespeare’s Antony and Cleopatra
  2. William E. Gruber
  3. pp. 30-48
  4. DOI: 10.1353/cdr.1985.0015
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  1. “To See Feelingly”: The Language of the Senses and the Language of the Heart
  2. Judith Dundas
  3. pp. 49-57
  4. DOI: 10.1353/cdr.1985.0016
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  1. Shaw’s Saint Joan and the Modern History Play
  2. Stephen Watt
  3. pp. 58-86
  4. DOI: 10.1353/cdr.1985.0017
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  1. Opera: The Extravagant Art by Herbert Lindenberger (review)
  2. Gary Schmidgall
  3. pp. 87-89
  4. DOI: 10.1353/cdr.1985.0018
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  1. Shakespeare and the Emblem: Studies in Renaissance Iconography and Iconology ed. by Tibor Fabiny (review)
  2. Roland Mushat Frye
  3. pp. 89-90
  4. DOI: 10.1353/cdr.1985.0019
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  1. Chekhov: A Study of the Four Major Plays by Richard Peace (review)
  2. E. J. Czerwinski
  3. pp. 90-92
  4. DOI: 10.1353/cdr.1985.0020
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  1. Eugene O’Neill’s Critics: Voices From Abroad ed. by Horst Frenz, Susan Tuck (review)
  2. John H. Stroupe
  3. p. 92
  4. DOI: 10.1353/cdr.1985.0021
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  1. Serf Actor: The Life and Art of Mikhail Shchepkin by Laurence Senelick (review)
  2. Spencer Golub
  3. pp. 92-95
  4. DOI: 10.1353/cdr.1985.0022
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