In this Issue

Table of Contents

Articles

The Player’s Eye: Shakespeare on Television

William B. Worthen
pp. 193-202
DOI: https://doi.org/10.1353/cdr.1984.0023
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Source of Order or Sovereign Lord: God and the Pattern of Relationships in Two Middle English “Fall of Lucifer” Plays

Jean Q. Seaton
pp. 203-221
DOI: https://doi.org/10.1353/cdr.1984.0024
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Stoppard’s Adaptations of Shakespeare: Dogg’s Hamlet, Cahoot’s Macbeth

C. J. Gianakaris
pp. 222-240
DOI: https://doi.org/10.1353/cdr.1984.0025
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Two Exempla: Analogues to the Play of the Sacrament and Dux Moraud

Richard L. Homan
pp. 241-251
DOI: https://doi.org/10.1353/cdr.1984.0026
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Sophocles in South Africa: Athol Fugard’s The Island

Errol Durbach
pp. 252-264
DOI: https://doi.org/10.1353/cdr.1984.0027
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“Wee happy heardsmen here”: A Newly Discovered Shepherds’ Carol Possibly Belonging to a Medieval Pageant

John P. Cutts
pp. 265-273
DOI: https://doi.org/10.1353/cdr.1984.0028
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Reviews

The Rakish Stage: Studies in English Drama, 1660–1800 by Robert D. Hume (review)

Christopher Spencer
pp. 274-275
DOI: https://doi.org/10.1353/cdr.1984.0029
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The Art of Aeschylus by Thomas G. Rosenmeyer (review)

David Konstan
pp. 276-280
DOI: https://doi.org/10.1353/cdr.1984.0030
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Dramatic Dialogue: the Duologue of Personal Encounter by Andrew Kennedy (review)

Brian Johnston
pp. 280-285
DOI: https://doi.org/10.1353/cdr.1984.0031
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The Winter’s Tale in Performance in England and America, 1611–1976 by Dennis Bartholomeusz (review)

Cary M. Mazer
pp. 285-287
DOI: https://doi.org/10.1353/cdr.1984.0032
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Identity in Shakespearean Drama by James P. Driscoll (review)

Claude J. Summers
pp. 287-288
DOI: https://doi.org/10.1353/cdr.1984.0033
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