1. The Player’s Eye: Shakespeare on Television
  2. William B. Worthen
  3. pp. 193-202
  4. DOI: 10.1353/cdr.1984.0023
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  1. Stoppard’s Adaptations of Shakespeare: Dogg’s Hamlet, Cahoot’s Macbeth
  2. C. J. Gianakaris
  3. pp. 222-240
  4. DOI: 10.1353/cdr.1984.0025
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  1. Two Exempla: Analogues to the Play of the Sacrament and Dux Moraud
  2. Richard L. Homan
  3. pp. 241-251
  4. DOI: 10.1353/cdr.1984.0026
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  1. Sophocles in South Africa: Athol Fugard’s The Island
  2. Errol Durbach
  3. pp. 252-264
  4. DOI: 10.1353/cdr.1984.0027
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  1. “Wee happy heardsmen here”: A Newly Discovered Shepherds’ Carol Possibly Belonging to a Medieval Pageant
  2. John P. Cutts
  3. pp. 265-273
  4. DOI: 10.1353/cdr.1984.0028
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  1. The Rakish Stage: Studies in English Drama, 1660–1800 by Robert D. Hume (review)
  2. Christopher Spencer
  3. pp. 274-275
  4. DOI: 10.1353/cdr.1984.0029
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  1. The Art of Aeschylus by Thomas G. Rosenmeyer (review)
  2. David Konstan
  3. pp. 276-280
  4. DOI: 10.1353/cdr.1984.0030
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  1. Dramatic Dialogue: the Duologue of Personal Encounter by Andrew Kennedy (review)
  2. Brian Johnston
  3. pp. 280-285
  4. DOI: 10.1353/cdr.1984.0031
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  1. The Winter’s Tale in Performance in England and America, 1611–1976 by Dennis Bartholomeusz (review)
  2. Cary M. Mazer
  3. pp. 285-287
  4. DOI: 10.1353/cdr.1984.0032
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  1. Identity in Shakespearean Drama by James P. Driscoll (review)
  2. Claude J. Summers
  3. pp. 287-288
  4. DOI: 10.1353/cdr.1984.0033
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