1. The Staging of Twelfth-Century Liturgical Drama in the Fleury Playbook
  2. David Bevington
  3. pp. 97-117
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  1. Memory in Aeschylus’ Seven Against Thebes
  2. Jerome Mazzaro
  3. pp. 118-136
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  1. The Marxist Theater of Amiri Baraka
  2. W. D. E. Andrews
  3. pp. 137-161
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  1. Shakespeare on Fortune’s Hill: A Review Essay
  2. Russell Fraser
  3. pp. 162-174
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  1. Roman Comedy by David Konstan (review)
  2. Sander M. Goldberg
  3. pp. 175-177
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  1. Shakespeare and the Shapes of Time by David Scott Kastan (review)
  2. Tibor Fabiny
  3. pp. 177-179
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  1. Ibsen: The Open Vision by John S. Chamberlain (review)
  2. Samuel G. McLellan
  3. pp. 182-184
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  1. Role Playing and Identity: The Limits of Theatre as Metaphor by Bruce Wilshire (review)
  2. Robert L. Smith
  3. pp. 185-187
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  1. Brecht’s Early Plays by Ronald Speirs (review)
  2. John Rouse
  3. pp. 187-189
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  1. Harley Granville Barker by Elmer W. Salenius (review)
  2. Cary M. Mazer
  3. pp. 190-191
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  1. Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter by Kristin Morrison (review)
  2. Enoch Brater
  3. pp. 191-192
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