In this Issue

Table of Contents

The Staging of Twelfth-Century Liturgical Drama in the Fleury Playbook

David Bevington
pp. 97-117
DOI: https://doi.org/10.1353/cdr.1984.0011
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Memory in Aeschylus’ Seven Against Thebes

Jerome Mazzaro
pp. 118-136
DOI: https://doi.org/10.1353/cdr.1984.0012
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The Marxist Theater of Amiri Baraka

W. D. E. Andrews
pp. 137-161
DOI: https://doi.org/10.1353/cdr.1984.0013
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Shakespeare on Fortune’s Hill: A Review Essay

Russell Fraser
pp. 162-174
DOI: https://doi.org/10.1353/cdr.1984.0014
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Roman Comedy by David Konstan (review)

Sander M. Goldberg
pp. 175-177
DOI: https://doi.org/10.1353/cdr.1984.0015
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Shakespeare and the Shapes of Time by David Scott Kastan (review)

Tibor Fabiny
pp. 177-179
DOI: https://doi.org/10.1353/cdr.1984.0016
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The York Play: A Facsimile of British Library MS Additional 35290 together with a Facsimile of the Ordo Paginarum Section of the A/Y Memorandum Book (review)

Clifford Davidson
pp. 179-181
DOI: https://doi.org/10.1353/cdr.1984.0017
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Ibsen: The Open Vision by John S. Chamberlain (review)

Samuel G. McLellan
pp. 182-184
DOI: https://doi.org/10.1353/cdr.1984.0018
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Role Playing and Identity: The Limits of Theatre as Metaphor by Bruce Wilshire (review)

Robert L. Smith
pp. 185-187
DOI: https://doi.org/10.1353/cdr.1984.0019
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Brecht’s Early Plays by Ronald Speirs (review)

John Rouse
pp. 187-189
DOI: https://doi.org/10.1353/cdr.1984.0020
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Harley Granville Barker by Elmer W. Salenius (review)

Cary M. Mazer
pp. 190-191
DOI: https://doi.org/10.1353/cdr.1984.0021
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Canters and Chronicles: The Use of Narrative in the Plays of Samuel Beckett and Harold Pinter by Kristin Morrison (review)

Enoch Brater
pp. 191-192
DOI: https://doi.org/10.1353/cdr.1984.0022
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