1. The Staging of Twelfth-Century Liturgical Drama in the Fleury Playbook
  2. David Bevington
  3. pp. 97-117
  4. DOI: 10.1353/cdr.1984.0011
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  1. Memory in Aeschylus’ Seven Against Thebes
  2. Jerome Mazzaro
  3. pp. 118-136
  4. DOI: 10.1353/cdr.1984.0012
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  1. The Marxist Theater of Amiri Baraka
  2. W. D. E. Andrews
  3. pp. 137-161
  4. DOI: 10.1353/cdr.1984.0013
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  1. Shakespeare on Fortune’s Hill: A Review Essay
  2. Russell Fraser
  3. pp. 162-174
  4. DOI: 10.1353/cdr.1984.0014
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  1. Roman Comedy by David Konstan (review)
  2. Sander M. Goldberg
  3. pp. 175-177
  4. DOI: 10.1353/cdr.1984.0015
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  1. Shakespeare and the Shapes of Time by David Scott Kastan (review)
  2. Tibor Fabiny
  3. pp. 177-179
  4. DOI: 10.1353/cdr.1984.0016
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  1. Ibsen: The Open Vision by John S. Chamberlain (review)
  2. Samuel G. McLellan
  3. pp. 182-184
  4. DOI: 10.1353/cdr.1984.0018
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  1. Role Playing and Identity: The Limits of Theatre as Metaphor by Bruce Wilshire (review)
  2. Robert L. Smith
  3. pp. 185-187
  4. DOI: 10.1353/cdr.1984.0019
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  1. Brecht’s Early Plays by Ronald Speirs (review)
  2. John Rouse
  3. pp. 187-189
  4. DOI: 10.1353/cdr.1984.0020
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  1. Harley Granville Barker by Elmer W. Salenius (review)
  2. Cary M. Mazer
  3. pp. 190-191
  4. DOI: 10.1353/cdr.1984.0021
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