1. Perceiving Rockaby–As a Text, As a Text by Samuel Beckett, As a Text for Performance
  2. Charles R. Lyons
  3. pp. 297-311
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  1. Terence and the Death of Comedy
  2. Sander M. Goldberg
  3. pp. 312-324
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  1. Interior Action: The Impact of Noh on Jean-Louis Barrault
  2. John K. Gillespie
  3. pp. 325-344
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  1. Modal and Motivic Coherence in the Music of the Fleury Play Book
  2. Clyde W. Brockett
  3. pp. 345-371
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  1. The Privileged Playgoers of Shakespeare’s London, 1576–1642 by Ann Jennalie Cook (review)
  2. Alan C. Dessen
  3. pp. 372-374
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  1. Drama, Dance and Music ed. by James Redmond (review)
  2. J. L. Styan
  3. pp. 374-376
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  1. The Strands Entwined: A New Direction in American Drama by Samuel J. Bernstein (review)
  2. Ina Rae Hark
  3. pp. 376-378
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  1. Tom Stoppard by Felicia Hardison Londré (review)
  2. Marilyn Gaddis Rose
  3. pp. 381-382
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  1. The Casuistical Tradition in Shakespeare, Donne, Herbert, and Milton by Camille Wells Slights (review)
  2. Warren Herman Chelline
  3. pp. 382-383
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  1. Shakespeare and the Solitary Man by Janette Dillon (review)
  2. Robert C. Jones
  3. pp. 384-386
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  1. Russian Dramatic Theory from Pushkin to the Symbolists ed. by Laurence Senelick (review)
  2. Felicia Hardison Londré
  3. pp. 386-387
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  1. The Transformations of Godot by Frederick Busi (review)
  2. Leonard Powlick
  3. pp. 388-390
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  1. Index to Volume 16 (1982)
  2. pp. 391-392
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  1. An Introduction to French Classical Tragedy by C. J. Gossip (review)
  2. Peter V. Conroy Jr.
  3. pp. 378-380
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  1. Prefaces to Nineteenth-Century Theatre by Michael R. Booth (review)
  2. James S. Moy
  3. pp. 380-381
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