1. Actor, Maschera, and Role: An Approach to Irony in Performance
  2. Raymond J. Pentzell
  3. pp. 201-226
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  1. “Cockes face” and the Problem of poydrace in the Chester Passion
  2. Lorrayne Y. Baird
  3. pp. 227-237
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  1. O’Neill’s Transcendence of Melodrama in A Touch of the Poet and A Moon for the Misbegotten
  2. Michael Manheim
  3. pp. 238-250
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  1. Westward-Northward: Structural Development in Dekker’s Ho Plays
  2. Larry S. Champion
  3. pp. 251-266
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  1. Patterns in Ibsen’s Middle Plays by Richard Hornby (review)
  2. Brian Johnston
  3. pp. 267-270
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  1. The London Theatre World, 1660–1800 ed. by Robert D. Hume (review)
  2. G. L. Anderson
  3. pp. 270-272
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  1. New Zealand Drama by Howard McNaughton (review)
  2. David Carnegie
  3. pp. 275-277
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  1. The Small Theatre Handbook: A Guide to Management and Production by Joann Green (review)
  2. Thomas Small
  3. pp. 277-279
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  1. Aristophanes: Essays in Interpretation ed. by Jeffrey Henderson (review)
  2. Roger A. Hornsby
  3. pp. 281-288
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  1. The History of the Greek and Roman Theater by Margarete Bieber (review)
  2. William S. Rodner
  3. pp. 288-290
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  1. Shakespeare and the Problem of Meaning by Norman Rabkin (review)
  2. Michael E. Mooney
  3. pp. 290-294
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  1. Peer Gynt by Henrik Ibsen, trans. by Rolf Fjelde (review)
  2. Marie Wells
  3. pp. 295-296
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