1. Julius Caesar from a Euripidean Perspective (review)
  2. J. A. Bryant Jr.
  3. pp. 97-111
  4. DOI: 10.1353/cdr.1982.0013
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  1. The Skill of Cain in the English Mystery Cycles
  2. Blair W. Boone
  3. pp. 112-129
  4. DOI: 10.1353/cdr.1982.0014
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  1. From Play to Plays: The Folklore of Comedy
  2. Harry Levin
  3. pp. 130-147
  4. DOI: 10.1353/cdr.1982.0015
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  1. The Two Cities in the Fleury Playbook
  2. Thomas P. Campbell
  3. pp. 148-165
  4. DOI: 10.1353/cdr.1982.0016
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  1. “Those Beautiful Characters of Sense”: Classical Deities and the Court Masque
  2. Judith Dundas
  3. pp. 166-179
  4. DOI: 10.1353/cdr.1982.0017
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  1. Realms of the Self: Variations on a Theme in Modern Drama by Arthur Ganz (review)
  2. Enoch Brater
  3. pp. 180-181
  4. DOI: 10.1353/cdr.1982.0018
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  1. Symbolic Action in the Plays of the Wakefield Master by Jeffrey Helterman (review)
  2. Barbara D. Palmer
  3. pp. 182-184
  4. DOI: 10.1353/cdr.1982.0019
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  1. A Middle English Treatise on the Playing of Miracles ed. by Clifford Davidson (review)
  2. Theresa Coletti
  3. pp. 184-188
  4. DOI: 10.1353/cdr.1982.0020
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  1. The Shakespeare Play as Poem: A Critical Tradition in Perspective by S. Viswanathan (review)
  2. J. A. Bryant Jr.
  3. pp. 188-191
  4. DOI: 10.1353/cdr.1982.0021
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  1. Chekhov: The Critical Heritage ed. by Victor Emeljanov (review)
  2. James Curtis
  3. pp. 192-193
  4. DOI: 10.1353/cdr.1982.0022
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  1. Two Tudor Interludes: Youth and Hick Scorner ed. by Ian Lancashire, and: Magnificence ed. by Paula Neuss (review)
  2. John Scott Colley
  3. pp. 193-196
  4. DOI: 10.1353/cdr.1982.0023
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  1. Pirandello: An Approach to His Theatre by Olga Ragusa (review)
  2. Anne Paolucci
  3. pp. 196-198
  4. DOI: 10.1353/cdr.1982.0024
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  1. Bertolt Brecht in America by James K. Lyon (review)
  2. Oscar G. Brockett
  3. pp. 198-199
  4. DOI: 10.1353/cdr.1982.0025
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