1. Comedia and Trauerspiel: On Benjamin and Calderón
  2. Anthony J. Cascardi
  3. pp. 1-11
  4. DOI: 10.1353/cdr.1982.0000
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  1. Play Strindberg and the Theater of Adaptation
  2. Enoch Brater
  3. pp. 12-25
  4. DOI: 10.1353/cdr.1982.0001
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  1. Isidore and the Theater
  2. Joseph R. Jones, Eric W. Naylor
  3. pp. 26-48
  4. DOI: 10.1353/cdr.1982.0002
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  1. When Playwrights Talk To God: Peter Shaffer and the Legacy of O’Neill
  2. Michael Hinden
  3. pp. 49-63
  4. DOI: 10.1353/cdr.1982.0003
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  1. Lope de Vega’s and Webster’s Amalfi Plays
  2. John Loftis
  3. pp. 64-78
  4. DOI: 10.1353/cdr.1982.0004
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  1. Shakespeare’s Revision of “King Lear” by Steven Urkowitz (review)
  2. John W. Velz
  3. pp. 79-82
  4. DOI: 10.1353/cdr.1982.0005
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  1. The Theatrical Compositions of the Major English Romantic Poets by Joan Mandell Baum (review)
  2. John W. Ehrstine
  3. pp. 82-84
  4. DOI: 10.1353/cdr.1982.0006
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  1. Tennessee Williams by Felicia Hardison Londré (review)
  2. Ina Rae Hark
  3. pp. 84-86
  4. DOI: 10.1353/cdr.1982.0007
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  1. Early English Stages, 1300 to 1660. Vol. III: Plays and Their Makers to 1576 by Glynne Wickham (review)
  2. Clifford Davidson
  3. pp. 86-88
  4. DOI: 10.1353/cdr.1982.0008
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  1. The Victorian Theatre 1792–1914: A Survey by George Rowell (review)
  2. Carl Woodring
  3. pp. 90-92
  4. DOI: 10.1353/cdr.1982.0010
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  1. John Marston’s Drama: Themes, Images, Sources by George L. Geckle (review)
  2. Robert C. Jones
  3. pp. 92-94
  4. DOI: 10.1353/cdr.1982.0011
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  1. Shakespeare, Jonson, Molière: The Comic Contract by Nicholas Grene (review)
  2. Oscar G. Brockett
  3. pp. 94-96
  4. DOI: 10.1353/cdr.1982.0012
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