1. “Wheels within Wheels, Etcetera”: Artistic Design in Rosencrantz and Guildenstern Are Dead
  2. William E. Gruber
  3. pp. 291-310
  4. DOI: 10.1353/cdr.1981.0042
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  1. From Jerusalem to Damascus: Bilocal Dramaturgy in Medieval and Shakespearian Conversion Plays
  2. John W. Velz
  3. pp. 311-326
  4. DOI: 10.1353/cdr.1981.0043
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  1. Eugene O’Neill and the Cruelty of Theater
  2. Joseph J. Moleski
  3. pp. 327-342
  4. DOI: 10.1353/cdr.1981.0044
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  1. Quem queritis in presepe: Christmas Drama or Christmas Liturgy?
  2. James M. Gibson
  3. pp. 343-365
  4. DOI: 10.1353/cdr.1981.0045
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  1. Irony and Theatricality in Chekhov’s The Sea Gull
  2. Carol Strongin
  3. pp. 366-380
  4. DOI: 10.1353/cdr.1981.0046
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  1. The Antitheatrical Prejudice by Jonas Barish (review)
  2. Nicholas Davis
  3. pp. 381-383
  4. DOI: 10.1353/cdr.1981.0047
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  1. The Chester Mystery Cycle: A Reduced Facsimile of Huntington Library MS 2 (review)
  2. Lawrence M. Clopper
  3. p. 384
  4. DOI: 10.1353/cdr.1981.0048
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  1. The Laughing Tradition: Stage Comedy in Garrick’s Day by Richard W. Bevis (review)
  2. Judith Milhous
  3. pp. 385-387
  4. DOI: 10.1353/cdr.1981.0049
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  1. Dryden’s Heroic Plays by Derek Hughes (review)
  2. John Loftis
  3. pp. 387-389
  4. DOI: 10.1353/cdr.1981.0050
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  1. Chinese Amusement: The Lively Plays of Li Yü by Eric Henry (review)
  2. Nathan K. Mao
  3. pp. 389-390
  4. DOI: 10.1353/cdr.1981.0051
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  1. Index to Volume 15 (1981)
  2. pp. 391-392
  3. DOI: 10.1353/cdr.1981.0052
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  1. Contributors
  2. p. 3
  3. DOI: 10.1353/cdr.1981.0053
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