1. Pinter’s The Homecoming: Displacing and Repeating Ibsen
  2. Thomas Postlewait
  3. pp. 195-212
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  1. Dramatic Elements in Early Monastic Induction Ceremonies
  2. George Klawitter
  3. pp. 213-230
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  1. Play and Passion in The Man of Mode
  2. Derek Hughes
  3. pp. 231-257
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  1. Matthew Parker’s Pastoral Training and Marlowe’s Doctor Faustus
  2. Celia Barnes
  3. pp. 258-267
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  1. The Collected Screenplays of Bernard Shaw ed. by Bernard F. Dukore (review)
  2. Arthur Ganz
  3. pp. 268-269
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  1. “Othello” as Tragedy: Some Problems of Judgment and Feeling by Jane Adamson (review)
  2. J. A. Bryant Jr.
  3. pp. 269-272
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  1. Ibsen and the Theatre ed. by Errol Durbach (review)
  2. Otto Reinert
  3. pp. 272-275
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  1. The Garrick Stage: Theatres and Audience in the Eighteenth Century by Allardyce Nicoll (review)
  2. Judith Milhous
  3. pp. 275-277
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  1. Perspective in Shakespeare’s English Histories by Larry S. Champion (review)
  2. William M. Jones
  3. pp. 277-278
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  1. The Making of Menander’s Comedy by Sander M. Goldberg (review)
  2. Peter Arnott
  3. pp. 278-279
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  1. The Woman’s Part: Feminist Criticism of Shakespeare ed. by Carolyn Lenz, Gayle Greene, Carol Neely (review)
  2. Cecile Williamson Cary
  3. pp. 280-281
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  1. Money and Politics in Ibsen, Shaw, and Brecht by Bernard F. Dukore (review)
  2. James Coakley
  3. pp. 281-283
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  1. Renaissance Drama, n.s. 10 ed. by Leonard Barkan (review)
  2. Rolf Soellner
  3. pp. 286-288
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  1. Contributors
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