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Table of Contents

  1. Did the Wakefield Master Write a Nine-Line Stanza?
  2. Martin Stevens
  3. pp. 99-119
  4. DOI: https://doi.org/10.1353/cdr.1981.0016
  5. restricted access
  1. King Hamlet’s Two Successors
  2. Cherrell Guilfoyle
  3. pp. 120-138
  4. DOI: https://doi.org/10.1353/cdr.1981.0017
  5. restricted access
  1. The Fleury Raising of Lazarus and Twelfth-Century Currents of Thought
  2. Kathleen M. Ashley
  3. pp. 139-158
  4. DOI: https://doi.org/10.1353/cdr.1981.0018
  5. restricted access
  1. European Influences and National Tradition in Medieval Hungarian Theater
  2. György E. Szönyi
  3. pp. 159-172
  4. DOI: https://doi.org/10.1353/cdr.1981.0019
  5. restricted access
  1. The Social and Religious Plays of Strindberg by John Ward (review)
  2. Michael Kaufman
  3. pp. 173-175
  4. DOI: https://doi.org/10.1353/cdr.1981.0020
  5. restricted access
  1. Edward Albee: An Annotated Bibliography 1968–1977 by Charles Lee Green (review)
  2. Thomas P. Adler
  3. pp. 180-183
  4. DOI: https://doi.org/10.1353/cdr.1981.0023
  5. restricted access
  1. The Absolute Comic by Edith Kern (review)
  2. Morton Gurewich
  3. pp. 183-187
  4. DOI: https://doi.org/10.1353/cdr.1981.0024
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  1. New American Drama: Three Plays by Hanay Geiogamah (review)
  2. Norman C. Greenberg
  3. pp. 187-190
  4. DOI: https://doi.org/10.1353/cdr.1981.0025
  5. restricted access
  1. Contributors
  2. DOI: https://doi.org/10.1353/cdr.1981.0015
  3. restricted access