1. Did the Wakefield Master Write a Nine-Line Stanza?
  2. Martin Stevens
  3. pp. 99-119
  4. DOI: 10.1353/cdr.1981.0016
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  1. King Hamlet’s Two Successors
  2. Cherrell Guilfoyle
  3. pp. 120-138
  4. DOI: 10.1353/cdr.1981.0017
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  1. The Fleury Raising of Lazarus and Twelfth-Century Currents of Thought
  2. Kathleen M. Ashley
  3. pp. 139-158
  4. DOI: 10.1353/cdr.1981.0018
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  1. European Influences and National Tradition in Medieval Hungarian Theater
  2. György E. Szönyi
  3. pp. 159-172
  4. DOI: 10.1353/cdr.1981.0019
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  1. The Social and Religious Plays of Strindberg by John Ward (review)
  2. Michael Kaufman
  3. pp. 173-175
  4. DOI: 10.1353/cdr.1981.0020
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  1. Hammer or Anvil: Psychological Patterns in Christopher Marlowe’s Plays by Constance Brown Kuriyama (review)
  2. Thomas B. Stroup
  3. pp. 178-180
  4. DOI: 10.1353/cdr.1981.0022
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  1. Edward Albee: An Annotated Bibliography 1968–1977 by Charles Lee Green (review)
  2. Thomas P. Adler
  3. pp. 180-183
  4. DOI: 10.1353/cdr.1981.0023
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  1. The Absolute Comic by Edith Kern (review)
  2. Morton Gurewich
  3. pp. 183-187
  4. DOI: 10.1353/cdr.1981.0024
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  1. New American Drama: Three Plays by Hanay Geiogamah (review)
  2. Norman C. Greenberg
  3. pp. 187-190
  4. DOI: 10.1353/cdr.1981.0025
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  1. Contributors
  2. DOI: 10.1353/cdr.1981.0015
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