1. English Folk Drama in the Eighteenth Century: A Defense of the Revesby Sword Play
  2. Thomas Pettitt
  3. pp. 3-29
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  1. “I See a Voice”
  2. Thomas B. Stroup
  3. pp. 30-36
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  1. A Playwright Looks at Mozart: Peter Shaffer’s Amadeus
  2. C. J. Gianakaris
  3. pp. 37-53
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  1. ‘We were born to die’: Romeo and Juliet
  2. William C. Carroll
  3. pp. 54-71
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  1. To the Third Empire: Ibsen’s Early Drama by Brian Johnston (review)
  2. Thomas F. Van Laan
  3. pp. 72-75
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  1. W. B. Yeats: The Writing of The Player Queen (review)
  2. Virginia Bartholome Rohan
  3. pp. 76-80
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  1. Music in the English Mystery Plays by JoAnna Dutka (review)
  2. Beverly Boyd
  3. pp. 80-81
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  1. Flamboyant Drama: A Study of the Castle of Perseverance, Mankind, and Wisdom by Michael R. Kelley (review)
  2. David Staines
  3. pp. 82-84
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  1. Ibsen’s Drama: Author to Audience by Einar Haugen (review)
  2. Samuel G. McLellan
  3. pp. 85-87
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  1. A Marxist Study of Shakespeare’s Comedies by Elliot Krieger (review)
  2. W. L. Godshalk
  3. pp. 91-94
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  1. Sean O’Casey by James R. Scrimgeour, and: Jean Giraudoux by John H. Reilly (review)
  2. Marilyn Gaddis Rose
  3. pp. 94-95
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  1. Goethe’s Plays by Charles E. Passage (review)
  2. Liselotte Dieckmann
  3. pp. 95-96
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  1. Contributors
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