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Table of Contents

  1. Continuity in the Art of Dying: The Duchess of Malfi
  2. Bettie Anne Doebler
  3. pp. 203-215
  4. DOI: https://doi.org/10.1353/cdr.1980.0029
  5. restricted access
  1. Suicide and Seneca in Two Eighteenth Century Tragedies
  2. Stephen L. Trainor
  3. pp. 216-229
  4. DOI: https://doi.org/10.1353/cdr.1980.0030
  5. restricted access
  1. Methods in Drama Criticism
  2. Roy Battenhouse
  3. pp. 230-239
  4. DOI: https://doi.org/10.1353/cdr.1980.0031
  5. restricted access
  1. Desire and Forgiveness: O’Neill’s Diptych
  2. Michael Hinden
  3. pp. 240-250
  4. DOI: https://doi.org/10.1353/cdr.1980.0032
  5. restricted access
  1. Taoism and O’Neill’s Marco Millions
  2. James A. Robinson
  3. pp. 251-262
  4. DOI: https://doi.org/10.1353/cdr.1980.0033
  5. restricted access
  1. Dream and Ritual Process in A Midsummer Night’s Dream
  2. Florence Falk
  3. pp. 263-279
  4. DOI: https://doi.org/10.1353/cdr.1980.0034
  5. restricted access
  1. Chester ed. by Lawrence M. Clopper (review)
  2. Peter W. Travis
  3. pp. 284-286
  4. DOI: https://doi.org/10.1353/cdr.1980.0036
  5. restricted access
  1. Thomas Middleton and the New Comedy Tradition by George E. Rowe, Jr. (review)
  2. Donald K. Anderson Jr.
  3. pp. 294-296
  4. DOI: https://doi.org/10.1353/cdr.1980.0040
  5. restricted access
  1. Contributors
  2. DOI: https://doi.org/10.1353/cdr.1980.0028
  3. restricted access