1. Verse Drama: A Reconsideration
  2. William G. McCollom
  3. pp. 99-116
  4. DOI: 10.1353/cdr.1980.0017
  5. restricted access contents
  1. Didactic Characterization: The Towneley Abraham
  2. Donna Smith Vinter
  3. pp. 117-136
  4. DOI: 10.1353/cdr.1980.0018
  5. restricted access contents
  1. The Beginning of Hamlet
  2. Cherrell Guilfoyle
  3. pp. 137-158
  4. DOI: 10.1353/cdr.1980.0019
  5. restricted access contents
  1. Aeschylus and O’Neill: A Phenomenological View
  2. John Chioles
  3. pp. 159-187
  4. DOI: 10.1353/cdr.1980.0020
  5. restricted access contents
  1. The Dramatic Works in the Beaumont and Fletcher Canon ed. by Fredson Bowers, et al (review)
  2. Christopher Spencer
  3. pp. 188-189
  4. DOI: 10.1353/cdr.1980.0021
  5. restricted access contents
  1. Thomas Betterton and the Management of Lincoln’s Inn Fields 1695–1708 by Judith Milhous (review)
  2. Frederick J. Rogers
  3. pp. 189-191
  4. DOI: 10.1353/cdr.1980.0022
  5. restricted access contents
  1. The Playwright as Magician. Shakespeare’s Image of the Poet in the English Public Theater by Alvin B. Kernan (review)
  2. Mark Eccles
  3. pp. 191-193
  4. DOI: 10.1353/cdr.1980.0023
  5. restricted access contents
  1. Clifford Odets: Playwright-Poet by Harold Cantor (review)
  2. Walter J. Meserve
  3. pp. 193-195
  4. DOI: 10.1353/cdr.1980.0024
  5. restricted access contents
  1. John Ford and the Caroline Theatre by Dorothy M. Farr (review)
  2. Robert C. Jones
  3. pp. 195-197
  4. DOI: 10.1353/cdr.1980.0025
  5. restricted access contents
  1. Beyond Absurdity: The Plays of Tom Stoppard by Victor L. Cahn (review)
  2. Felicia Hardison Londré
  3. pp. 197-199
  4. DOI: 10.1353/cdr.1980.0026
  5. restricted access contents
  1. J. M. Synge and the Western Mind by Weldon Thornton (review)
  2. Marilyn Gaddis Rose
  3. pp. 199-200
  4. DOI: 10.1353/cdr.1980.0027
  5. restricted access contents
  1. Contributors
  2. DOI: 10.1353/cdr.1980.0016
  3. restricted access contents