1. Verse Drama: A Reconsideration
  2. William G. McCollom
  3. pp. 99-116
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  1. Didactic Characterization: The Towneley Abraham
  2. Donna Smith Vinter
  3. pp. 117-136
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  1. The Beginning of Hamlet
  2. Cherrell Guilfoyle
  3. pp. 137-158
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  1. Aeschylus and O’Neill: A Phenomenological View
  2. John Chioles
  3. pp. 159-187
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  1. The Dramatic Works in the Beaumont and Fletcher Canon ed. by Fredson Bowers, et al (review)
  2. Christopher Spencer
  3. pp. 188-189
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  1. Thomas Betterton and the Management of Lincoln’s Inn Fields 1695–1708 by Judith Milhous (review)
  2. Frederick J. Rogers
  3. pp. 189-191
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  1. The Playwright as Magician. Shakespeare’s Image of the Poet in the English Public Theater by Alvin B. Kernan (review)
  2. Mark Eccles
  3. pp. 191-193
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  1. Clifford Odets: Playwright-Poet by Harold Cantor (review)
  2. Walter J. Meserve
  3. pp. 193-195
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  1. John Ford and the Caroline Theatre by Dorothy M. Farr (review)
  2. Robert C. Jones
  3. pp. 195-197
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  1. Beyond Absurdity: The Plays of Tom Stoppard by Victor L. Cahn (review)
  2. Felicia Hardison Londré
  3. pp. 197-199
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  1. J. M. Synge and the Western Mind by Weldon Thornton (review)
  2. Marilyn Gaddis Rose
  3. pp. 199-200
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  1. Contributors
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