1. The Playwright as Perfect Wagnerite: Motifs from the Music Dramas in the Theatre of Bernard Shaw
  2. Arthur Ganz
  3. pp. 187-209
  4. DOI: 10.1353/cdr.1979.0023
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  1. The Morality Play: Ancestor of Elizabethan Drama?
  2. John Wasson
  3. pp. 210-221
  4. DOI: 10.1353/cdr.1979.0024
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  1. The Ovids of Ben Jonson in Poetaster and in Epicoene
  2. Joseph A. Dane
  3. pp. 222-234
  4. DOI: 10.1353/cdr.1979.0025
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  1. An Interlude or Mystery Play by William Ireland, 1795
  2. J. W. Robinson
  3. pp. 235-251
  4. DOI: 10.1353/cdr.1979.0026
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  1. High Tide in the London Theatre: Some Notes on the 1978–79 Season
  2. J. L. Styan
  3. pp. 252-257
  4. DOI: 10.1353/cdr.1979.0027
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  1. The Ways of the World: Comedy and Society by Robert Bechtold Heilman (review)
  2. Thomas B. Stroup
  3. pp. 258-261
  4. DOI: 10.1353/cdr.1979.0028
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  1. The Two Faces of Ionesco by Rosette C. Lamont and Melvin J. Friedman (review)
  2. Leonard C. Pronko
  3. pp. 261-263
  4. DOI: 10.1353/cdr.1979.0029
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  1. Ibsen: A Dissenting View by Ronald Gray (review)
  2. Otto Reinert
  3. pp. 263-267
  4. DOI: 10.1353/cdr.1979.0030
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  1. Poetic Drama as Mirror of the Will by Michael Black (review)
  2. Judith Milhous
  3. pp. 269-271
  4. DOI: 10.1353/cdr.1979.0032
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  1. Jonson and Elizabethan Comedy. Essays in Dramatic Rhetoric by L. A. Beaurline (review)
  2. Mark Eccles
  3. pp. 271-273
  4. DOI: 10.1353/cdr.1979.0033
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  1. Script into Performance: A Structuralist View of Play Production by Richard Hornby (review)
  2. Ina Rae Hark
  3. pp. 274-276
  4. DOI: 10.1353/cdr.1979.0034
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  1. Shakespeare Survey 30 (Henry IV to Hamlet) ed. by Kenneth Muir (review)
  2. John W. Velz
  3. pp. 276-279
  4. DOI: 10.1353/cdr.1979.0035
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  1. Role-Playing in Shakespeare by Thomas F. Van Laan (review)
  2. Marvin Rosenberg
  3. pp. 279-280
  4. DOI: 10.1353/cdr.1979.0036
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  1. Contributors
  2. DOI: 10.1353/cdr.1979.0022
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