1. The Sound of a Poet Singing Loudly: A Look at Elegy for Young Lovers
  2. Marc A. Roth
  3. pp. 99-120
  4. DOI: 10.1353/cdr.1979.0011
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  1. Time and Memory in Pinter’s Proust Screenplay
  2. Enoch Brater
  3. pp. 121-126
  4. DOI: 10.1353/cdr.1979.0012
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  1. “Framing” as Collaborative Technique: Two Middleton-Rowley Plays
  2. Michael E. Mooney
  3. pp. 127-141
  4. DOI: 10.1353/cdr.1979.0013
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  1. The Director Intervenes: Christopher Hampton’s Savages
  2. Peter Holland
  3. pp. 142-149
  4. DOI: 10.1353/cdr.1979.0014
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  1. The Iconography of Food and the Motif of World Order in Friar Bacon and Friar Bungay
  2. Cecile Williamson Cary
  3. pp. 150-163
  4. DOI: 10.1353/cdr.1979.0015
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  1. The Walter Scott Operas: An Analysis of Operas Based on the Works of Sir Walter Scott by Jerome Mitchell (review)
  2. John Ehrstine
  3. pp. 164-168
  4. DOI: 10.1353/cdr.1979.0016
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  1. The Masks of Macbeth by Marvin Rosenberg (review)
  2. J. L. Styan
  3. pp. 171-175
  4. DOI: 10.1353/cdr.1979.0018
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  1. The Beaux’ Stratagem by George Farquhar (review)
  2. Eric Rothstein
  3. pp. 175-178
  4. DOI: 10.1353/cdr.1979.0019
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  1. Shakespearean Representation: Mimesis and Modernity in Elizabethan Tragedy by Howard Felperin (review)
  2. W. David Kay
  3. pp. 178-181
  4. DOI: 10.1353/cdr.1979.0020
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  1. Fields of Play in Modern Drama by Thomas R. Whitaker (review)
  2. Frederick P. W. McDowell
  3. pp. 181-184
  4. DOI: 10.1353/cdr.1979.0021
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  1. Contributors
  2. DOI: 10.1353/cdr.1979.0010
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