In this Issue

Table of Contents

Krapp’s Last Tape and Critical Theory

SueEllen Campbell
pp. 187-199
DOI: https://doi.org/10.1353/cdr.1978.0027
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Law and Disorder in Ludus Coventriae

Lynn Squires
pp. 200-213
DOI: https://doi.org/10.1353/cdr.1978.0028
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Dance to a Cut-Throat Temper: Harold Pinter’s Poetry as an Index to Intended Audience Response

Christopher C. Hudgins
pp. 214-232
DOI: https://doi.org/10.1353/cdr.1978.0029
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A Shakespearean Tribute to Ben Jonson in Garrick’s Operatic Version of A Midsummer Night’s Dream

John P. Cutts
pp. 233-248
DOI: https://doi.org/10.1353/cdr.1978.0030
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Martin Walser’s Sauspiel and the Contemporary German History Play

Gerald A. Fetz
pp. 249-265
DOI: https://doi.org/10.1353/cdr.1978.0031
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Spirits Finely Touched: The Testing of Value and Integrity in Four Shakespearean Plays by Harold Skulsky (review)

Roy Battenhouse
pp. 266-271
DOI: https://doi.org/10.1353/cdr.1978.0032
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A Life in a Wooden O: Memoirs of the Theatre by Ben Iden Payne (review)

J. L. Styan
pp. 271-273
DOI: https://doi.org/10.1353/cdr.1978.0033
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Poetry and Drama in the York Corpus Christi Play by Richard J. Collier (review)

Clifford Davidson
pp. 273-277
DOI: https://doi.org/10.1353/cdr.1978.0034
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The Shakespeare Revolution by J. L. Styan (review)

Eugene M. Waith
pp. 277-279
DOI: https://doi.org/10.1353/cdr.1978.0035
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“Curious-Knotted Garden”: The Form, Themes, and Contexts of Shakespeare’s “Love’s Labour’s Lost” by Louis Adrian Montrose (review)

John Arthos
pp. 279-280
DOI: https://doi.org/10.1353/cdr.1978.0036
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Contributors

DOI: https://doi.org/10.1353/cdr.1978.0026
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