1. Krapp’s Last Tape and Critical Theory
  2. SueEllen Campbell
  3. pp. 187-199
  4. DOI: 10.1353/cdr.1978.0027
  5. restricted access View Summary | Download |
  1. Law and Disorder in Ludus Coventriae
  2. Lynn Squires
  3. pp. 200-213
  4. DOI: 10.1353/cdr.1978.0028
  5. restricted access View Summary | Download |
  1. Dance to a Cut-Throat Temper: Harold Pinter’s Poetry as an Index to Intended Audience Response
  2. Christopher C. Hudgins
  3. pp. 214-232
  4. DOI: 10.1353/cdr.1978.0029
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  1. A Shakespearean Tribute to Ben Jonson in Garrick’s Operatic Version of A Midsummer Night’s Dream
  2. John P. Cutts
  3. pp. 233-248
  4. DOI: 10.1353/cdr.1978.0030
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  1. Martin Walser’s Sauspiel and the Contemporary German History Play
  2. Gerald A. Fetz
  3. pp. 249-265
  4. DOI: 10.1353/cdr.1978.0031
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  1. Spirits Finely Touched: The Testing of Value and Integrity in Four Shakespearean Plays by Harold Skulsky (review)
  2. Roy Battenhouse
  3. pp. 266-271
  4. DOI: 10.1353/cdr.1978.0032
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  1. A Life in a Wooden O: Memoirs of the Theatre by Ben Iden Payne (review)
  2. J. L. Styan
  3. pp. 271-273
  4. DOI: 10.1353/cdr.1978.0033
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  1. Poetry and Drama in the York Corpus Christi Play by Richard J. Collier (review)
  2. Clifford Davidson
  3. pp. 273-277
  4. DOI: 10.1353/cdr.1978.0034
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  1. The Shakespeare Revolution by J. L. Styan (review)
  2. Eugene M. Waith
  3. pp. 277-279
  4. DOI: 10.1353/cdr.1978.0035
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  1. Contributors
  2. DOI: 10.1353/cdr.1978.0026
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