In this Issue

Table of Contents

Stop the World-I Want to Get Off: The Vice as Everyman

Ina Rae Hark
pp. 99-112
DOI: https://doi.org/10.1353/cdr.1978.0015
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Iconography and Characterization in English Tragedy 1585–1642

Huston Diehl
pp. 113-122
DOI: https://doi.org/10.1353/cdr.1978.0016
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Woyzeck and Othello: The Dimensions of Melodrama

Terry Otten
pp. 123-136
DOI: https://doi.org/10.1353/cdr.1978.0017
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Why Do the Shepherds Prophesy?

Thomas P. Campbell
pp. 137-150
DOI: https://doi.org/10.1353/cdr.1978.0018
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Work and Play: Some Aspects of Folk Drama in Russia

Elizabeth A. Warner
pp. 151-169
DOI: https://doi.org/10.1353/cdr.1978.0019
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Cultural Thematics: The Formation of the Faustian Ethos by T. K. Seung (review)

Robert McCauley
pp. 170-172
DOI: https://doi.org/10.1353/cdr.1978.0021
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Faust by Johann Wolfgang von Goethe (review)

Edith Potter
pp. 173-175
DOI: https://doi.org/10.1353/cdr.1978.0020
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Oscar Wilde by Louis Kronenberger (review)

Charles A. Berst
pp. 175-178
DOI: https://doi.org/10.1353/cdr.1978.0022
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August Strindberg by Walter Johnson (review)

Bettina L. Knapp
pp. 178-180
DOI: https://doi.org/10.1353/cdr.1978.0024
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The World of Harlequin: A Critical Study of The Commedia Dell Arte by Allardyce Nicoll (review)

Henry B. Williams
pp. 181-183
DOI: https://doi.org/10.1353/cdr.1978.0025
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Jean Anouilh by Lewis W. Falb (review)

Marilyn Gaddis Rose
pp. 183-184
DOI: https://doi.org/10.1353/cdr.1978.0023
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Contributors

DOI: https://doi.org/10.1353/cdr.1978.0014
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