1. Dramatic Elements in Japanese Literature
  2. Donald Keene
  3. pp. 275-297
  4. DOI: 10.1353/cdr.1976.0034
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  1. Typology, Criticism, and Medieval Drama: Some Observations on Method
  2. Patrick J. Collins
  3. pp. 298-313
  4. DOI: 10.1353/cdr.1976.0035
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  1. Crommelynck’s Farcical and Mythmaking Expressionism
  2. Bettina Knapp
  3. pp. 314-327
  4. DOI: 10.1353/cdr.1976.0036
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  1. Coriolanus: : History and the Crisis of Semantic Order
  2. Leonard Tennenhouse
  3. pp. 328-346
  4. DOI: 10.1353/cdr.1976.0037
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  1. Sean O’Casey: The Man and His Work by David Krause (review)
  2. Michael W. Kaufman
  3. pp. 350-352
  4. DOI: 10.1353/cdr.1976.0039
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  1. The Actor’s Freedom: Toward A Theory of Drama by Michael Goldman (review)
  2. Robert L. Smith
  3. pp. 352-354
  4. DOI: 10.1353/cdr.1976.0040
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  1. “Their Form Confounded”: Studies in the Burlesque Play from Udall to Sheridan by Robert F. Willson, Jr (review)
  2. Sidney R. Homan
  3. pp. 354-356
  4. DOI: 10.1353/cdr.1976.0041
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  1. Bertolt Brecht by Claude Hill (review)
  2. Betty Nance Weber
  3. pp. 356-358
  4. DOI: 10.1353/cdr.1976.0042
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  1. Index to Volume X (1976)
  2. pp. 359-360
  3. DOI: 10.1353/cdr.1976.0043
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  1. Contributors
  2. DOI: 10.1353/cdr.1976.0033
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