1. Byron’s “Mental Theatre” and the German Classical Precedent
  2. Frederick W. Shilstone
  3. pp. 187-199
  4. DOI: 10.1353/cdr.1976.0023
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  1. Liturgical Drama in Byzantine Literature
  2. Theodore Bogdanos
  3. pp. 200-215
  4. DOI: 10.1353/cdr.1976.0024
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  1. Genet’s The Blacks and The Screens: Dialectic of Refusal and Revolutionary Consciousness
  2. W. F. Sohlich
  3. pp. 216-234
  4. DOI: 10.1353/cdr.1976.0025
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  1. The Allegory of Wisdom in Lyly’s Endimion
  2. Carolyn Ruth Swift Lenz
  3. pp. 235-257
  4. DOI: 10.1353/cdr.1976.0026
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  1. The Pinter Problem by Austin E. Quigley (review)
  2. Enoch Brater
  3. pp. 258-260
  4. DOI: 10.1353/cdr.1976.0027
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  1. Shakespeare’s Tragic Perspective by Larry Champion (review)
  2. Rolf Soellner
  3. pp. 260-263
  4. DOI: 10.1353/cdr.1976.0030
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  1. Ironic Drama, A Study of Euripides’ Method and Meaning by Philip Vellacott (review)
  2. Niki Stavrolakes
  3. pp. 263-265
  4. DOI: 10.1353/cdr.1976.0031
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  1. Artificial Persons: The Formation of Character in the Tragedies of Shakespeare by J. Leeds Barroll (review)
  2. Joseph J. Moleski
  3. pp. 266-268
  4. DOI: 10.1353/cdr.1976.0028
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  1. Maurice Maeterlinck by Bettina L. Knapp (review)
  2. Martin Schwarz
  3. pp. 268-270
  4. DOI: 10.1353/cdr.1976.0029
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  1. Contributors
  2. DOI: 10.1353/cdr.1976.0022
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