In this Issue

Table of Contents

Myth and Neurosis in Ibsen’s Mature Plays

Margot Norris
pp. 3-15
DOI: https://doi.org/10.1353/cdr.1976.0013
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The Undiscovered Country

John Arthos
pp. 16-28
DOI: https://doi.org/10.1353/cdr.1976.0014
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To Out-Herod Herod: The Development of a Dramatic Character

David Staines
pp. 29-53
DOI: https://doi.org/10.1353/cdr.1976.0015
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Thomas Middleton’s Prodigal Play

Leanore Lieblein
pp. 54-60
DOI: https://doi.org/10.1353/cdr.1976.0016
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“All Comes Clear at Last,” but “the Readiness is All”

Thomas B. Stroup
pp. 61-77
DOI: https://doi.org/10.1353/cdr.1976.0017
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The Drama of Black Africa by Anthony Graham-White (review)

Edward Callan
pp. 78-82
DOI: https://doi.org/10.1353/cdr.1976.0018
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Tragic Theory in the Critical Works of Thomas Rymer, John Dennis, and John Dryden by Joan C. Grace, and: Dryden’s Classical Theory of Literature by Edward Pechter (review)

G. L. Anderson
pp. 82-84
DOI: https://doi.org/10.1353/cdr.1976.0019
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The Comedies of Ariosto by Ludovico Ariosto (review)

Beatrice Corrigan
pp. 84-86
DOI: https://doi.org/10.1353/cdr.1976.0021
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Chekhov, 1860–1904 by Sophie Laffitte (review)

J. L. Styan
pp. 86-88
DOI: https://doi.org/10.1353/cdr.1976.0020
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Contributors

DOI: https://doi.org/10.1353/cdr.1976.0012
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