1. The Changeling: Notes on Mannerism in Dramatic Form
  2. Raymond J. Pentzell
  3. pp. 3-28
  4. DOI: 10.1353/cdr.1975.0012
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  1. Joyce contra Wagner
  2. John MacNicholas
  3. pp. 29-43
  4. DOI: 10.1353/cdr.1975.0013
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  1. Audience and Meaning in Two Medieval Dramatic Realisms
  2. William F. Munson
  3. pp. 44-67
  4. DOI: 10.1353/cdr.1975.0014
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  1. Ben Jonson’s Social Attitudes: A Statistical Analysis
  2. Judith K. Gardiner, Susanna S. Epp
  3. pp. 68-86
  4. DOI: 10.1353/cdr.1975.0015
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  1. Three Plays of Euripides: Alcestis, Medea, The Bacchae by Paul Roche (review)
  2. Roger Hornsby
  3. pp. 87-89
  4. DOI: 10.1353/cdr.1975.0016
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  1. A Concise History of Opera by Leslie Orrey (review)
  2. Audrey Davidson
  3. pp. 89-90
  4. DOI: 10.1353/cdr.1975.0017
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  1. Patterning in Shakespearean Drama by William Leigh Godshalk (review)
  2. Donald K. Anderson Jr.
  3. pp. 90-92
  4. DOI: 10.1353/cdr.1975.0018
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  1. Bernard Shaw: Pygmalion to Many Players by Vincent Wall (review)
  2. Ann Johnson
  3. pp. 92-95
  4. DOI: 10.1353/cdr.1975.0019
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  1. Contributors
  2. DOI: 10.1353/cdr.1975.0011
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