1. Lao Sheh: From People’s Artist to “An Enemy of the People”
  2. Walter J. Meserve, Ruth I. Meserve
  3. pp. 143-156
  4. DOI: 10.1353/cdr.1974.0010
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  1. Techniques of Transcendence in Medieval Drama
  2. Robert Edwards
  3. pp. 157-171
  4. DOI: 10.1353/cdr.1974.0011
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  1. Wit Without Money: A Fletcherian Antecedent to Keep the Widow Waking
  2. Charles R. Forker
  3. pp. 172-183
  4. DOI: 10.1353/cdr.1974.0012
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  1. Madhouse Optics: The Changeling
  2. Joseph M. Duffy
  3. pp. 184-198
  4. DOI: 10.1353/cdr.1974.0013
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  1. Evidence for Ambivalence of Motives in Murder in the Cathedral
  2. John P. Cutts
  3. pp. 199-210
  4. DOI: 10.1353/cdr.1974.0014
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  1. A Kingdom for a Stage: The Achievement of Shakespeare’s History Plays by Robert Ornstein (review)
  2. Roy Battenhouse
  3. pp. 211-213
  4. DOI: 10.1353/cdr.1974.0015
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  1. The Plays of Samuel Beckett by Eugene Webb (review)
  2. Marilyn Gaddis Rose
  3. pp. 213-215
  4. DOI: 10.1353/cdr.1974.0016
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  1. Henrik Ibsen: The Divided Consciousness by Charles R. Lyons (review)
  2. James L. Larson
  3. pp. 215-216
  4. DOI: 10.1353/cdr.1974.0017
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  1. Shakespeare Without Words and Other Essays by Alfred Harbage (review)
  2. J. L. Styan
  3. pp. 216-218
  4. DOI: 10.1353/cdr.1974.0018
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  1. Spanish Underground Drama by George E. Wellwarth (review)
  2. George Woodyard
  3. pp. 219-221
  4. DOI: 10.1353/cdr.1974.0019
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  1. Shakespearean Design by Mark Rose (review)
  2. William M. Jones
  3. pp. 221-222
  4. DOI: 10.1353/cdr.1974.0020
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  1. The Shape of Chaos, an Interpretation of the Art of Samuel Beckett by David H. Hesla (review)
  2. Kenneth S. White
  3. pp. 222-223
  4. DOI: 10.1353/cdr.1974.0021
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  1. Contributors
  2. DOI: 10.1353/cdr.1974.0009
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