1. Bertolt Brecht and George Farquhar’s The Recruiting Officer
  2. Albert Wertheim
  3. pp. 179-190
  4. DOI: 10.1353/cdr.1973.0012
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  1. Chekov in Ireland: Brief Notes on Friel’s Philadelphia
  2. James Coakley
  3. pp. 191-197
  4. DOI: 10.1353/cdr.1973.0013
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  1. Ritual in Marlowe’s Plays
  2. Thomas B. Stroup
  3. pp. 198-221
  4. DOI: 10.1353/cdr.1973.0014
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  1. The Political Significance of the Theatre
  2. Willy Brandt, Walter S. G. Kohn
  3. pp. 222-230
  4. DOI: 10.1353/cdr.1973.0015
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  1. Shakespeare and the Genius of the Absurd
  2. Anne Paolucci
  3. pp. 231-246
  4. DOI: 10.1353/cdr.1973.0016
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  1. Medieval English Drama: Essays Critical and Contextual ed. by Jerome Taylor, Alan H. Nelson (review)
  2. Carl T. Berkhout
  3. pp. 247-250
  4. DOI: 10.1353/cdr.1973.0017
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  1. New Trends in 20th Century Drama by Frederick Lumley (review)
  2. Thomas E. Porter
  3. pp. 250-251
  4. DOI: 10.1353/cdr.1973.0018
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  1. The Weak King Dilemma in the Shakespearean History Play by Michael Manheim (review)
  2. Christopher Spencer
  3. pp. 251-253
  4. DOI: 10.1353/cdr.1973.0019
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  1. China on Stage: An American Actress in the People’s Republic by Lois Wheeler Snow (review)
  2. G. L. Anderson
  3. pp. 253-256
  4. DOI: 10.1353/cdr.1973.0020
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  1. Contributors
  2. DOI: 10.1353/cdr.1973.0011
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