In this Issue

Table of Contents

My Mother, in Drumlin Country

Mary O’Donnell
pp. 9-17
DOI: https://doi.org/10.1353/nhr.2017.0001
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Thomas MacDonagh’s 1916: Protagonist and Playwright

Anthony Roche
pp. 18-40
DOI: https://doi.org/10.1353/nhr.2017.0002
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Lucy Caldwell’s The Meeting Point (2011): From Ireland to Bahrain and Back

Kelli Maloy
pp. 41-58
DOI: https://doi.org/10.1353/nhr.2017.0003
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The Comfort of Rain, and: Last Visit Home, and: The Pumpkin Tenement, and: Reader’s Cramp, and: Uneaten Bread, and: After the Apocalypse, and: Some Hope, and: Wish You Were Here

Bill Tinley
pp. 59-67
DOI: https://doi.org/10.1353/nhr.2017.0004
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Gender and the Nationalistic Ballad: Thomas Davis, Thomas Moore, and Their Songs

Timothy M. Love
pp. 68-85
DOI: https://doi.org/10.1353/nhr.2017.0005
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John O’Keeffe and the Fenian Brotherhood in the American West and Midwest, 1866–1890

Regina Donlon
pp. 86-103
DOI: https://doi.org/10.1353/nhr.2017.0006
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“The Reductive Logic of Domination”: Narratives and Counter-Narratives in Irish Poetry Anthologies

Kenneth Keating
pp. 104-122
DOI: https://doi.org/10.1353/nhr.2017.0007
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Clúdach: Cover

p. 122
DOI: https://doi.org/10.1353/nhr.2017.0010
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John McGahern, Post-Revival Literature, and Irish Cultural Criticism

Stanley van der Ziel
pp. 123-142
DOI: https://doi.org/10.1353/nhr.2017.0008
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Deirdre Madden’s One by One in the Darkness (1996): Impossible Reconciliation?

Travis Snyder
pp. 143-159
DOI: https://doi.org/10.1353/nhr.2017.0009
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Nótaí na nEagarthóirí: Editors’ Notes

pp. 5-8
DOI: https://doi.org/10.1353/nhr.2017.0000
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