1. My Mother, in Drumlin Country
  2. Mary O’Donnell
  3. pp. 9-17
  4. DOI: 10.1353/nhr.2017.0001
  5. restricted access View | Download |
  1. Thomas MacDonagh’s 1916: Protagonist and Playwright
  2. Anthony Roche
  3. pp. 18-40
  4. DOI: 10.1353/nhr.2017.0002
  5. restricted access View | Download |
  1. Lucy Caldwell’s The Meeting Point (2011): From Ireland to Bahrain and Back
  2. Kelli Maloy
  3. pp. 41-58
  4. DOI: 10.1353/nhr.2017.0003
  5. restricted access View | Download |
  1. Gender and the Nationalistic Ballad: Thomas Davis, Thomas Moore, and Their Songs
  2. Timothy M. Love
  3. pp. 68-85
  4. DOI: 10.1353/nhr.2017.0005
  5. restricted access View | Download |
  1. John O’Keeffe and the Fenian Brotherhood in the American West and Midwest, 1866–1890
  2. Regina Donlon
  3. pp. 86-103
  4. DOI: 10.1353/nhr.2017.0006
  5. restricted access View | Download |
  1. “The Reductive Logic of Domination”: Narratives and Counter-Narratives in Irish Poetry Anthologies
  2. Kenneth Keating
  3. pp. 104-122
  4. DOI: 10.1353/nhr.2017.0007
  5. restricted access View | Download |
  1. Clúdach: Cover
  2. p. 122
  3. DOI: 10.1353/nhr.2017.0010
  4. restricted access View | Download |
  1. John McGahern, Post-Revival Literature, and Irish Cultural Criticism
  2. Stanley van der Ziel
  3. pp. 123-142
  4. DOI: 10.1353/nhr.2017.0008
  5. restricted access View | Download |
  1. Deirdre Madden’s One by One in the Darkness (1996): Impossible Reconciliation?
  2. Travis Snyder
  3. pp. 143-159
  4. DOI: 10.1353/nhr.2017.0009
  5. restricted access View | Download |
  1. Nótaí na nEagarthóirí: Editors’ Notes
  2. pp. 5-8
  3. DOI: 10.1353/nhr.2017.0000
  4. restricted access View | Download |