1. Wounded Nation, Voided State: Sara Uribe’s Antígona González
  2. Tamara R. Williams
  3. pp. 3-14
  4. DOI: 10.1353/rmc.2017.0000
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  1. La memoria como escenario de la tragedia mexicana en Los recuerdos del porvenir de Elena Garro
  2. Cecilia Eudave
  3. pp. 15-24
  4. DOI: 10.1353/rmc.2017.0001
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  1. “Disfruto disfrutar”: Corporeality, Cross-Dressing, and Jouissance in Carmen Boullosa’s Duerme
  2. Sara A. Potter
  3. pp. 25-35
  4. DOI: 10.1353/rmc.2017.0002
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  1. Beyond the “Duality of the World”: Guerrilla Experience and Political Ecology (Apropos Omar Cabeza’s La montaña es algo más que una inmensa estepa verde)
  2. Alejandro Quin
  3. pp. 37-47
  4. DOI: 10.1353/rmc.2017.0003
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  1. Entre Lima y Burdeos, los “corredores” de Ricardo Sumalavia
  2. Eva Valero Juan
  3. pp. 49-60
  4. DOI: 10.1353/rmc.2017.0004
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  1. El presente cautivo: Violencia y memoria en Así empieza lo malo de Javier Marías
  2. Isabel Cuñado
  3. pp. 61-70
  4. DOI: 10.1353/rmc.2017.0005
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  1. Pérez-Reverte’s Double Witnessing in Territorio Comanche
  2. Erma Nezirevic
  3. pp. 71-81
  4. DOI: 10.1353/rmc.2017.0006
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  1. Tra Speranza e Vecchia Sfiducia: Un tentativo di Analisi e Mise en contexte del poemetto Le ceneri di Gramsci
  2. Fadil Moslemani
  3. pp. 83-95
  4. DOI: 10.1353/rmc.2017.0007
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  1. Entre as forças da fantasia e a duplicação do aforismo: O verso mítico/místico em A Adivinhação pela Água (1991) e O Ilusório Ponto do Geómetra (2014) de Vergílio Alberto Vieira
  2. Robert Simon
  3. pp. 97-105
  4. DOI: 10.1353/rmc.2017.0008
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  1. Primary Oral Features in Romance Chapbooks of Northeastern Brazil
  2. Marcelo da Silva Amorim
  3. pp. 107-120
  4. DOI: 10.1353/rmc.2017.0009
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  1. La traducción alógrafa con colaboración del autor frente a la semiautotraducción: João Guimarães Rosa como modelo
  2. Xosé Manuel Dasilva
  3. pp. 121-131
  4. DOI: 10.1353/rmc.2017.0010
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  1. “D’après Loti”: d’un changement de sujet
  2. Caroline Ferraris-Besso
  3. pp. 133-144
  4. DOI: 10.1353/rmc.2017.0011
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  1. Fictions of Love: Le mal d’amour and its Transmission in La Princesse de Clèves
  2. Stephen C. Bold
  3. pp. 145-156
  4. DOI: 10.1353/rmc.2017.0012
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  1. Infertility and the Marvel-Less in Marie de France’s Deus Amanz
  2. Sarah Eddings
  3. pp. 157-165
  4. DOI: 10.1353/rmc.2017.0013
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