Volume 51, Number 2, 2017

Table of Contents

Essays

Joint Functioning of Two Parallel Trajectories of Signification: Ambrose Bierce's "A Horseman in the Sky"

pp. 125-145
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The Suffusion of the Televisual in The Crying of Lot 49

pp. 146-166
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Her "whole soul was ear": Novel Sound, Experimental Music, and Artistic Community in Mary Shelley's The Last Man

pp. 167-186
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Readings in Temporal Poetics: Four Poems by William Carlos Williams

pp. 187-206
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"Play, utopia or anguish"?: Accounting for the Persistence of the Discourse against Slander from the Middle Ages to the Early Modern Period

pp. 207-227
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Delving into the Narratological "Toolbox": Concepts and Categories in Narrative Theory

pp. 228-245
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Book Reviews

Transmedial Narratology and Contemporary Media Culture by Jan-Noël Thon (review)

pp. 247-253
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The Poetry of John Milton by Gordon Teskey (review)

pp. 253-257
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Readability: Text and Context by Alan Bailin and Ann Grafstein (review)

pp. 257-263
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Joyce's Creative Process and the Construction of Character in Ulysses by Luca Crispi (review)

pp. 263-270
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Introduction to Ethical Literary Criticism by Nie Zhenzhao (review)

pp. 270-275
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The Submerged Plot and the Mother's Pleasure from Jane Austen to Arundhati Roy by Kelly A. Marsh (review)

pp. 275-278
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Cosmopolitan English & Transliteracy by Xiaoye You (review)

pp. 278-281
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Robert Lowell in Love by Jeffrey Meyers (review)

pp. 282-289
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Erratum

From Enargeia to Immersion: The Ancient Roots of a Modern Concept, Style 51.1, 2017

pp. 290-291
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