1. After the Revolution: Folklore, History, and the Future of Our Discipline(American Folklore Society Presidential Address, October 2015)
  2. Michael Ann Williams
  3. pp. 129-141
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  1. Ku Klux Kasserole and Strange Fruit Pies: A Shouting Match at the Border in Cyberspace
  2. Sheila Bock
  3. pp. 142-165
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  1. The Return: Intertextuality of the Reminiscing of Karelian Evacuees in Finland
  2. Ulla Savolainen
  3. pp. 166-192
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  1. A Lesson in Presenting: The Smithsonian Folklife Festival Model
  2. Olivia Cadaval
  3. pp. 193-203
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  1. Folk Literature and the Invention of Tradition: The Case of the Barzaz Breiz
  2. Ellen Badone
  3. pp. 204-218
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  1. W. F. H. “Bill” Nicolaisen (1927–2016)
  2. Simon J. Bronner
  3. pp. 219-222
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  1. Telling and Being Told: Storytelling and Cultural Control in Contemporary Yucatec Maya Literatures by Paul M. Worley (review)
  2. Christine A. Kray
  3. pp. 223-225
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  1. Songs of the Border People: Genre, Reflexivity, and Performance in Karelian Oral Poetry by Lotte Tarkka (review)
  2. Carl Rahkonen
  3. pp. 225-227
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  1. UNESCO on the Ground: Local Perspectives on Intangible Cultural Heritage ed. by Michael Dylan Foster and Lisa Gilman (review)
  2. Stefan Groth
  3. pp. 228-230
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  1. Diagnosing Folklore: Perspectives on Disability, Health, and Trauma ed. by Trevor J. Blank and Andrea Kitta (review)
  2. Jon D. Lee
  3. pp. 231-232
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  1. The Edible South: The Power of Food and the Making of an American Region by Marcie Cohen Ferris (review)
  2. Lucy M. Long
  3. pp. 232-235
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  1. Hittin’ the Prayer Bones: Materiality of Spirit in the Pentecostal South by Anderson Blanton (review)
  2. Elisabeth C. Aiken
  3. pp. 235-236
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  1. We Still Live Here, Âs Nutayuneân by Anne Makepeace (review)
  2. Pauleena M. MacDougall
  3. pp. 239-240
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  1. The 78 Project Movie by Alex Steyermark (review)
  2. Thomas Grant Richardson
  3. pp. 240-242
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  1. Let’s Get the Rhythm: The Life and Times of Miss Mary Mack by Irene Chagall (review)
  2. Katharine R. M. Schramm
  3. pp. 242-245
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  1. Marge’s Fancy by Marge Steiner (review)
  2. Julie Henigan
  3. pp. 246-247
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  1. Ola Belle Reed and Southern Mountain Music on the Mason-Dixon Line by Henry Glassie, Clifford R. Murphy, and Douglas Dowling Peach (review)
  2. Rachel Hopkin
  3. pp. 248-250
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  1. Information about Contributors
  2. pp. 251-252
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