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In this Issue

Table of Contents

  1. Editors' Foreword
  2. Donald Crafton, Susan Ohmer
  3. pp. vi-x
  4. restricted access

Features

  1. 3MM: The Smallest Gauge
  2. Marsha Gordon, Dino Everett
  3. pp. 1-20
  4. DOI: https://doi.org/10.5749/movingimage.16.2.0001
  5. restricted access
  1. The Beginnings and the Ends of Film: Leader Standardization in the United States and Canada (1930–1999)
  2. Matthew Soar
  3. pp. 21-44
  4. DOI: https://doi.org/10.5749/movingimage.16.2.0021
  5. free access
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  1. Action, Avatar, Ecology, and Empire: Databases, Digitality, Death, and Gaming in Werner Herzog's Arctic
  2. Scott MacKenzie, Anna Westerståhl Stenport, Garrett Traylor
  3. pp. 45-71
  4. DOI: https://doi.org/10.5749/movingimage.16.2.0045
  5. restricted access
  1. Digital Super 8mm: Evaluating the Contribution of Digital Technologies to Film Archives in Latin America
  2. Beatriz Tadeo Fuica, Julieta Keldjian
  3. pp. 72-90
  4. DOI: https://doi.org/10.5749/movingimage.16.2.0072
  5. restricted access

Forum

  1. The "Much Vexed Problem" of Nontheatrical Distribution in the Late 1910s
  2. Richard Abel
  3. pp. 91-107
  4. DOI: https://doi.org/10.5749/movingimage.16.2.0091
  5. restricted access
  1. Film Catalogs as Epistemology—A Memoire
  2. Scott MacDonald
  3. pp. 107-113
  4. DOI: https://doi.org/10.5749/movingimage.16.2.0107
  5. restricted access
  1. Interview with Stig Björkman on Ingrid Bergman: In Her Own Words
  2. Susan Ohmer, Donald Crafton
  3. pp. 113-118
  4. DOI: https://doi.org/10.5749/movingimage.16.2.0113
  5. restricted access

Reviews

  1. Blu-rays and DVDs
  2. Jen Bircher
  3. pp. 119-123
  4. restricted access