1. La violencia y los límites de la crítica en la producción cultural contemporánea
  2. María del Carmen Caña Jiménez
  3. pp. 5-10
  4. DOI: 10.1353/hsf.2016.0055
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  1. Ethics, Spectacle, and Violence in Álex de la Iglesia's La chispa de la vida
  2. Vinodh Venkatesh
  3. pp. 21-35
  4. DOI: 10.1353/hsf.2016.0057
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  1. Fanatismo en tiempos de guerra y neoliberalismo: Poeta ciego de Mario Bellatin y Un ejército de locos de José B. Adolph
  2. Edward Chauca
  3. pp. 37-50
  4. DOI: 10.1353/hsf.2016.0058
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  1. Violence and Bodies under Siege in the Works of Diamela Eltit, Lina Meruane and Fátima Sime
  2. J. Agustín Pastén B.
  3. pp. 51-66
  4. DOI: 10.1353/hsf.2016.0059
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  1. Cultural Responses to Urban Violence in 21st Century Brazil: New Writers Speak from the Margins
  2. Leonora Paula
  3. pp. 67-79
  4. DOI: 10.1353/hsf.2016.0060
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  1. Delirios de interpretación: Las mitologías de la violencia de Sergio González Rodríguez*
  2. Oswaldo Zavala
  3. pp. 115-133
  4. DOI: 10.1353/hsf.2016.0063
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  1. Micro-Aggressions and their Violent Impact on Low Income Latinos in the US: Reflections of a Therapist*
  2. Birgitte Bønning Espitia
  3. pp. 135-151
  4. DOI: 10.1353/hsf.2016.0064
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  1. Octavio Paz's Bread and Mole
  2. Debra A. Castillo
  3. pp. 153-166
  4. DOI: 10.1353/hsf.2016.0065
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  1. All in the Family or, Midcentury Mexican Mythologies in Miguel León-Portilla's Visión de los vencidos
  2. Kevin M. Anzzolin
  3. pp. 167-184
  4. DOI: 10.1353/hsf.2016.0066
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  1. Utopian Thinking in Verse: Temporality and Poetic Imaginary in the Poetry of Nicanor Parra, Mario Benedetti, and Roque Dalton
  2. Juan G. Ramos
  3. pp. 185-203
  4. DOI: 10.1353/hsf.2016.0067
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  1. Hijos contra madres en "Mi piel, luminosa" y Los fantasmas del masajista de Mario Bellatin
  2. Sebastián Reyes Gil
  3. pp. 205-220
  4. DOI: 10.1353/hsf.2016.0068
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  1. Visigothic Division and Muslim Preservers of Order
  2. Sara Gottardi
  3. pp. 221-232
  4. DOI: 10.1353/hsf.2016.0069
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  1. Teresa de Guzmán (1733-1737), 'viuda y mercadera de libros' de comedias
  2. Alejandra Ulla Lorenzo
  3. pp. 233-249
  4. DOI: 10.1353/hsf.2016.0070
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  1. Memoria, olvido y reinvención personal en Vidas de tinta, de Moisés Pascual Pozas
  2. Óscar Bazán Rodríguez
  3. pp. 251-260
  4. DOI: 10.1353/hsf.2016.0071
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  1. Recuperating Losses: History, Spectacle, Motility in Julio Medem's Room in Rome/Habitación en Roma
  2. Susan Divine
  3. pp. 261-274
  4. DOI: 10.1353/hsf.2016.0072
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  1. Memoria, justicia y "feminismo sexy": De Las trece rosas (2007) a Carta a Eva (2013)
  2. Cristina Sánchez-Conejero
  3. pp. 275-289
  4. DOI: 10.1353/hsf.2016.0073
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  1. The Adulteress on the Spanish Stage. Gender and Modernity in 19th Century Romantic Drama by Tracie Amend (review)
  2. Cristina Casado Presa
  3. pp. 291-292
  4. DOI: 10.1353/hsf.2016.0074
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  1. Libre Acceso. Latin American Literature and Film through Disability Studies ed. by Susan Antebi and Beth E. Jörgensen (review)
  2. Etna Ávalos
  3. pp. 293-294
  4. DOI: 10.1353/hsf.2016.0075
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  1. Garcilaso de la Vega and the Material Culture of Renaissance Europe by Mary E. Barnard (review)
  2. Núria Silleras-Fernández
  3. pp. 295-296
  4. DOI: 10.1353/hsf.2016.0076
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  1. Genre Fusion: A New Approach to History, Fiction, and Memory in Contemporary Spain by Sara Brenneis (review)
  2. Debra J. Ochoa
  3. pp. 296-298
  4. DOI: 10.1353/hsf.2016.0077
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  1. Geografías de lo exótico: el imaginario de Marruecos en la literatura de viajes [1859-1936] by Rosa Cerarols Ramírez (review)
  2. Michael Ugarte
  3. pp. 298-300
  4. DOI: 10.1353/hsf.2016.0078
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  1. La mujer moderna en los escritos de Federica Montseny by Nuria Cruz-Cámara (review)
  2. Iker González-Allende
  3. pp. 303-305
  4. DOI: 10.1353/hsf.2016.0080
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  1. El niño en el cine argentino de la postdictadura (1983-2008): alegoría y nostalgia by Sophie Dufays (review)
  2. Laura Podalsky
  3. pp. 305-307
  4. DOI: 10.1353/hsf.2016.0081
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  1. Dragons in the Land of the Condor: Writing Tusán in Perú by Ignacio López-Calvo (review)
  2. Carlos Villacorta
  3. pp. 309-311
  4. DOI: 10.1353/hsf.2016.0083
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  1. Pierrot/Lorca: White Carnival of Black Desire by Emilio Peral Vega (review)
  2. Carlos Jerez-Farrán
  3. pp. 311-313
  4. DOI: 10.1353/hsf.2016.0084
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  1. Thirteen Ways of Looking At Latino Art by Ilan Stavans y Jorge J. E. Gracia (review)
  2. Ivonne Cuadra
  3. pp. 313-315
  4. DOI: 10.1353/hsf.2016.0085
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