1. 2CV Théâtre: Transgression, Nostalgia, and the Negative Space of French Street Theatre
  2. David Calder
  3. pp. 1-20
  4. DOI: 10.1353/tj.2017.0001
  5. open access
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  1. An Algerian in Paris: Habib Benglia's The Emperor Jones
  2. Katie N. Johnson
  3. pp. 21-41
  4. DOI: 10.1353/tj.2017.0002
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  1. Mostly Young Women with Quite Traditional Tastes: Empirical Evidence for National Contemporary Audiences of Xiqu
  2. Stenberg Josh, Jason J. P. Cai
  3. pp. 43-59
  4. DOI: 10.1353/tj.2017.0019
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  1. The Captain in LA: Reza Abdoh's Bricolage and the Rise of Neoliberalism
  2. Guy Zimmerman
  3. pp. 61-79
  4. DOI: 10.1353/tj.2017.0003
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  1. Bromance dir. by Eddie Kay, and: Pour Le Meilleur Et Pour Le Pire dir. by Victor Cathala and Kati Pikkarainen, and: Smoke and Mirrors by The Ricochet Project (review)
  2. Amy Meyer
  3. pp. 81-86
  4. DOI: 10.1353/tj.2017.0004
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  1. Harry Potter And The Cursed Child, Parts 1 And 2 by Jack Thorne (review)
  2. James F. Wilson
  3. pp. 86-88
  4. DOI: 10.1353/tj.2017.0005
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  1. Foreign Affairs Festival (review)
  2. Ralf Remshardt
  3. pp. 88-91
  4. DOI: 10.1353/tj.2017.0006
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  1. The Seagull by Anton Chekhov (review)
  2. Loren Ringer
  3. pp. 91-94
  4. DOI: 10.1353/tj.2017.0007
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  1. Milton by Lisa D'Amour (review)
  2. Joyelle Ball
  3. pp. 94-96
  4. DOI: 10.1353/tj.2017.0008
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  1. Oregon Shakespeare Festival (review)
  2. Sonja Arsham Kuftinec
  3. pp. 96-100
  4. DOI: 10.1353/tj.2017.0009
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  1. On Your Feet! the Story of Emilio and Gloria Estefan by Alexander Dinelaris (review)
  2. Horacio Sierra
  3. pp. 100-101
  4. DOI: 10.1353/tj.2017.0010
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  1. Dance Dramaturgy in Theory and Practice
  2. Ariel Nereson
  3. pp. 103-114
  4. DOI: 10.1353/tj.2017.0011
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  1. Theater and Spectacle in the Art of the Roman Empire by Katherine M. D. Dunbabin (review)
  2. Marvin Carlson
  3. pp. 115-116
  4. DOI: 10.1353/tj.2017.0012
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  1. Lost Sound: the Forgotten Art of Radio Storytelling by Jeff Porter (review)
  2. Daniel H. Foster
  3. pp. 116-117
  4. DOI: 10.1353/tj.2017.0013
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  1. Preservation, Radicalism, and the Avant-Garde Canon ed. by Rebecca Ferreboeuf, Fiona Noble, and Tara Plunkett (review)
  2. Carol Martin
  3. pp. 117-119
  4. DOI: 10.1353/tj.2017.0014
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  1. Tennessee Williams and Italy: A Transcultural Perspective by Alessandro Clericuzio (review)
  2. Felicia Hardison Londre
  3. pp. 119-120
  4. DOI: 10.1353/tj.2017.0015
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  1. Ira Aldridge: the Last Years, 1855–1867 by Bernth Lindfors (review)
  2. Karl Kippola
  3. pp. 120-121
  4. DOI: 10.1353/tj.2017.0016
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  1. Tragedy and Dramatic Theatre by Hans-Thies Lehmann (review)
  2. David Krasner
  3. pp. 121-122
  4. DOI: 10.1353/tj.2017.0017
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  1. Performing Migrancy and Mobility in Africa: Cape of Flows ed. by Mark Fleishman, and: Magnet Theatre: Three Decades of Making Space ed. by Megan Lewis and Anton Krueger, and: The Magnet Theatre 'Migration' Plays by Jenny Reznek et al. (review)
  2. Loren Kruger
  3. pp. 122-124
  4. DOI: 10.1353/tj.2017.0018
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  1. Editorial Comment
  2. Jen Parker-Starbuck
  3. pp. vii-ix
  4. DOI: 10.1353/tj.2017.0000
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