In this Issue
Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393).
Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.
published by
The MIT Pressviewing issue
LIVE performance art magazine 4Table of Contents

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View Summary of La Frontera by Ed Friedman, and: Disclosure on All and Everything (Part 1) by Larry Miller, and: Aleatoire Je Ne Sais Quoi by Ralston Farina (review)
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View Summary of Union Specific by Cindy Lubar, Garry Reigenborn, and: Camptown by Pooh Kaye, et al, and: Ragged Valley by Yoshiko Chuna (review)
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View Summary of Stuart Sherman’s Twelfth Spectacle (Language) plus 3 sound pieces and some short films, and: A Killer’s Loose but Nobody’s Talking by Richard Gallo, Sheryl Sutton (review)
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View Summary of Dialog/Curious George by Robert Wilson, Christopher Knowles, and: Exotic Landlordism of the World by Jack Smith (review)
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View Summary of Audience at Large by Steve Busa, and: Disparate Actions/Desperate Actions by Chris Kraus (review)
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View Summary of Kiss Me, Kill Me by Badomi De Cesare, and: Victims & Victimization: A Question of Fit by David Antin (review)
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View Summary of The Survivor and the Translator by Leeny Sack, and: Uncle Mario by Mario Prosperi (review)
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ISSN | 2374-2240 |
---|---|
Print ISSN | 2767-228X |
Launched on MUSE | 2018-01-03 |
Open Access | No |
Archive Status | Archived 2025 |
Copyright
Copyright © Performing Arts Journal, Inc and its authors.