1. Clowning Around: (Commedla and Sitcoms, Gleason and Duchamp, Body Sculpture and Pratfalls)
  2. Tony Mascatello
  3. pp. 3-6
  4. restricted access
  1. Acting/Non-Acting
  2. Scott Burton, Ruth Maleczech, Michael Smith, Elizabeth LeCompte, Laurie Anderson
  3. pp. 7-18
  4. restricted access
  1. L.A. Looks at Sound
  2. Clair Wolfe
  3. pp. 19-21
  4. restricted access
  1. Argument: Artist as Businessman
  2. Anthony McCall, Andrew Tyndall
  3. pp. 22-25
  4. restricted access
  1. Rachel Rosenthal
  3. pp. 26-31
  4. restricted access
  1. New Music, New York
  2. Bérénice Reynaud
  3. pp. 32-35
  4. restricted access
  1. Warren Street Festival
  2. John Howell
  3. pp. 37-39
  4. restricted access
  1. Warren Street Festival
  2. Margaret Eginton
  3. pp. 39-40
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  1. Apoplectic Fit by Daryl Chin, Larry Qualls (review)
  2. Gautam Dasgupta
  3. p. 40
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  1. Intervals by Alberto Guatti (review)
  2. Jill Silverman
  3. p. 41
  4. restricted access
  1. Upside Down and Backwards by Joan Jonas, and: South by Sylvia Whitman, and: Belshazzar’s Feast by Mel Andringa with the Drawing Legion (review)
  2. John Howell
  3. pp. 41-43
  4. restricted access
  1. Make More Room by Yoshiko Chuma, and: Umi Aui Owe by Simone Forti, Peter van Riper (review)
  2. Cate Miodini
  3. pp. 43-44
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  1. The Figure by Mary Overlie (review)
  2. Margaret Eginton
  3. pp. 44-45
  4. restricted access
  1. Long Sleepless Afternoons by Susan Rethorst (review)
  2. John Howell
  3. p. 45
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  1. India & After (America) by Spalding Gray, and: The Performing Garage (review)
  2. Bonnie Marranca
  3. p. 46
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