1. Olfactory Art, Transcorporeality, and the Museum Environment
  2. Hsuan L. Hsu
  3. pp. 1-24
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  1. Below Ground and Foreground: Wyoming Coal, the Mountain Pine Beetle, and the Removal of Chris Drury's Carbon Sink
  2. Michaela Rife
  3. pp. 25-43
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  1. Planting Out after Blithedale: Transcendental Agrarianism and Ecocritical Economy
  2. Sam Horrocks
  3. pp. 44-59
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  1. Breaking Down What Matters: Welcome to compostings
  2. Michaela Castellanos
  3. pp. 60-62
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  1. Brutal Visions: Mimicry, Biosemiotics, and the Animal-Human Binary in Thomas Belt's The Naturalist in Nicaragua
  2. Will Abberley
  3. pp. 63-84
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  1. The Mountain and the Wolf: Aldo Leopold's Uexküllian Influence
  2. Jonathan Beever
  3. pp. 85-109
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  1. Canadian Forum on Bruno Latour's An Inquiry into Modes of Existence
  2. Cheryl Lousley, Stephanie Posthumus
  3. pp. 110-113
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  1. Confessions of a Print Modern (on Bruno Latour's AIME)
  2. Cheryl Lousley
  3. pp. 114-119
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  1. Thinking about Latour and AIME's Common World
  2. Guillaume Blanc
  3. pp. 120-123
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  1. Maestro Latour
  2. Brett Buchanan
  3. pp. 124-129
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  1. Taking AIME at Face Value: An ANT-like Crawl through the Digital Project
  2. Susan Brown
  3. pp. 130-136
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  1. Reader-Player-User: Engaging Bruno Latour's AIME Project
  2. Stephanie Posthumus
  3. pp. 137-143
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  1. "One Must Not Forget This Diplomatic Negotiation"
  2. Adrian Ivakhiv
  3. pp. 144-149
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  1. Building Languages, Building Worlds: An Interview with Jessica Sams
  2. Condis Megan
  3. pp. 150-161
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  1. Shipwreck Modernity: Ecologies of Globalization, 1550–1719 by Steve Mentz (review)
  2. Alison E. Glassie
  3. pp. 162-165
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  1. Thinking Like a Mall: Environmental Philosophy after the End of Nature by Steven Vogel (review)
  2. Joshua Mousie
  3. pp. 165-169
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  1. Feral: Rewilding the Land, the Sea, and Human Life by George Monbiot (review)
  2. Gordon M. Sayre
  3. pp. 169-174
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