In this Issue

Table of Contents

Articles

Front Porch

Harry Watson
pp. 1-3
DOI: https://doi.org/10.1353/scu.2017.0000
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Trying to Get Appalachia Less Wrong: A Modest Approach

Elizabeth S. D. Engelhardt
pp. 4-9
DOI: https://doi.org/10.1353/scu.2017.0001
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Documentary Noise: The Soundscape of Barbara Kopple's Harlan County, U.S.A.

Grace Elizabeth Hale
pp. 10-32
DOI: https://doi.org/10.1353/scu.2017.0002
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Almost Heaven

Aaron Blum
pp. 33-48
DOI: https://doi.org/10.1353/scu.2017.0003
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Icon and Identity: Dolly Parton's Hillbilly Appeal

Graham Hoppe
pp. 49-62
DOI: https://doi.org/10.1353/scu.2017.0004
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Banjo Boy: Masculinity, Disability, and Difference in Deliverance

Anna Creadick
pp. 63-78
DOI: https://doi.org/10.1353/scu.2017.0005
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"Well, We're Fabulous and We're Appalachians, So We're Fabulachians": Country Queers in Central Appalachia

Rachel Garringer
pp. 79-91
DOI: https://doi.org/10.1353/scu.2017.0006
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In-Between the Color Lines with a Spy Camera: The Appalachian Urban Folk Photography of Isaiah Rice

Darin J. Waters, Gene Hyde, Kenneth Betsalel
pp. 92-113
DOI: https://doi.org/10.1353/scu.2017.0007
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Pearl S. Buck, It's Not You, It's Me

Jolie Lewis
pp. 114-122
DOI: https://doi.org/10.1353/scu.2017.0008
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Semantic Relations

Adrian Blevins
p. 123
DOI: https://doi.org/10.1353/scu.2017.0009
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Contributors

p. 124
DOI: https://doi.org/10.1353/scu.2017.0010
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