1. Editorial
  2. James Carter
  3. p. 1
  4. DOI: 10.1353/tcc.2012.0005
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Original Articles

  1. Introduction: Contesting China’s New “National” Music
  2. Joshua H. Howard
  3. pp. 2-4
  4. DOI: 10.1353/tcc.2012.0006
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  1. The Making of a National Icon: Commemorating Nie Er, 1935–1949
  2. Joshua H. Howard
  3. pp. 5-29
  4. DOI: 10.1353/tcc.2012.0007
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  1. Divide and Connections in Chinese Musical Modernity: Cases of Musical Networks Emerging in Colonial Shanghai, 1919–1937
  2. Joys H. Y. Cheung
  3. pp. 30-49
  4. DOI: 10.1353/tcc.2012.0008
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  1. Aaron Avshalomov and New Chinese Music in Shanghai, 1931–1947
  2. John Winzenburg
  3. pp. 50-72
  4. DOI: 10.1353/tcc.2012.0009
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  1. The Shanghai Conservatory, Chinese Musical Life, and The Russian Diaspora, 1927–1949: Dedicated to Neil Edmunds
  2. Yang Hon-Lun
  3. pp. 73-95
  4. DOI: 10.1353/tcc.2012.0010
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