1. Editors’ Note
  2. Roswitha Burwick, Richard Sperber
  3. pp. 1-5
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  1. The Future of Melancholia: Freud, Fassbinder, and Anxiety after War
  2. Heidi Schlipphacke
  3. pp. 6-21
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  1. Toward Woodstock: Structural Transformations in the Rock ‘n’ Roll Musical
  2. David E. James
  3. pp. 22-30
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  1. The Word as Poet and Poem in the Christian Gospels
  2. Teddi Lynn Chichester
  3. pp. 31-53
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  1. Her and the Hardwiring of Romanticism
  2. Kathleen Lundeen
  3. pp. 54-68
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  1. James Baldwin’s Another Country as an Abstract Machine
  2. David N. Odhiambo
  3. pp. 69-87
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  1. Ghosts in the Closet?: The Dandy, Specter, and Spectacle in Jean Lorrain’s Monsieur de Bougrelon and Monsieur de Phocas
  2. C. J. Gomolka
  3. pp. 88-111
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  1. Learning from Others: Reading Relations in Paule Marshall’s “From the Poets in the Kitchen”
  2. K. Narayana Chandran
  3. pp. 112-126
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  1. Re: “Laura Mullen’s Trilogy of Trash”
  2. Amy Moorman Robbins
  3. pp. 127-131
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  1. An Empire of Air and Water: Uncolonizable Space in the British Imagination, 1750–1850 by Siobhan Carroll (review)
  2. Elizabeth Kubek
  3. pp. 132-135
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  1. African American Travel Narratives from Abroad: Mobility and Cultural Work in the Age of Jim Crow by Gary Totten (review)
  2. Jerrica Jordan
  3. pp. 135-137
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  1. Approaches to Teaching the Works of Jack London ed. by Kenneth K. Brandt and Jeanne Campbell Reesman (review)
  2. Addison Palacios
  3. pp. 138-140
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  1. Striking Their Modern Pose: Fashion, Gender, and Modernity in Galdós, Pardo Bazán, and Picón by Dorota Heneghan (review)
  2. Inés Corujo Martín
  3. pp. 141-143
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