1. Pleasure Reading
  2. p. 1
  3. DOI: 10.1353/jnc.2017.0000
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  1. The Pleasure of the Past in the Present
  2. Gordon Hutner
  3. pp. 2-11
  4. DOI: 10.1353/jnc.2017.0001
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  1. Exorbitant Optics and Lunatic Pleasures
  2. Timothy Marr
  3. pp. 11-19
  4. DOI: 10.1353/jnc.2017.0002
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  1. Narrating Slow Violence: Post-Reconstruction’s Necropolitics and Speculating beyond Liberal Antirace Fiction
  2. Stephen Knadler
  3. pp. 21-50
  4. DOI: 10.1353/jnc.2017.0003
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  1. Melville’s Little Historical Method
  2. David Faflik
  3. pp. 51-77
  4. DOI: 10.1353/jnc.2017.0004
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  1. “I Nailed Those Lies”: Sarah Winnemucca Hopkins, Print Culture, and Collaboration
  2. Carolyn Sorisio
  3. pp. 79-106
  4. DOI: 10.1353/jnc.2017.0005
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  1. Novel Inventions: Emerson, Whitman, and the Patent Office Gallery
  2. Reed Gochberg
  3. pp. 107-128
  4. DOI: 10.1353/jnc.2017.0006
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  1. “You Talk Like a Book”: Constance Fenimore Woolson’s Civil War Poetry and the Regionalization of Speech
  2. Timothy Sweet
  3. pp. 129-150
  4. DOI: 10.1353/jnc.2017.0007
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  1. “I Have No Disbelief”: Spiritualism and Secular Agency in Elizabeth Stoddard’s The Morgesons
  2. Ashley Reed
  3. pp. 151-177
  4. DOI: 10.1353/jnc.2017.0008
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  1. Why We Should Be Teaching and Writing about The Literary World’s 1850 “Hawthorne and His Mosses”
  2. Robert S. Levine
  3. pp. 179-189
  4. DOI: 10.1353/jnc.2017.0009
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  1. Contributor Biographies
  2. pp. 191-192
  3. DOI: 10.1353/jnc.2017.0010
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